Fraudprophets Release Debut Album ‘Poptosis’, Allay Growing Industry Fears Of Jazz Fusion Takeover

Fraudprophets - Poptosis Cover

Fraudprophets – Poptosis

The jazz-rock group is joined by Bob Reynolds of Snarky Puppy, guitarist Oz Noy, keyboardist Matt Rohde and Nashville fiddle ninja Jenee Fleanor

LOS ANGELES, CA, USA, May 22, 2019 /EINPresswire.com/ — Fraudprophets (www.fraudprophets.com), a collaboration between multi-instrumentalist and composer Sean Halley and A-list drummer Nate Morton (seen weekly on NBC’s ‘The Voice’), are ecstatic to announce the release of their debut album ‘Poptosis’ on June 3, 2019. The new record seamlessly blends elements of jazz, pop, rock, country and 70’s fusion into tunes that feel uniquely natural together, a result of the long-standing bond between Morton and Halley and their decades-long careers on stage and in the studio…and the gin.

“It probably isn’t the best way to go about it, but we randomly started this whole thing one night by drinking cocktails to a click track”, said Morton. “Not having a plan ended up being a real blessing, as the snippets of music that came out of that evening were free-spirited and fun, and they were infused with personality and our love for each other as musical dorks.” Halley continues, “Nate and I love just about every kind of music, so nothing was off limits if it was a style we felt comfortable with. The same was true for the production – I like big-sounding records, so if we needed a ridiculous Beastie Boys-esque organ-and-drums breakdown for a
tune, I’d have to go figure it out.”

“The tones, the tunes and performances are stellar! It’s the best new instrumental music I’ve heard in ages!” session guitar legend Michael Thompson (Babyface, David Foster, Backstreet Boys, Toni Braxton, etc)

“ …the new CD is fantastic and really musical. All of the players are phenomenal – I love the entire disc, but my favorite tune is ‘Skronktastic’”. Drummer Greg Bissionette (David Lee Roth, Toto, Ringo Starr, Santana).

“This album is a total success from start to finish. The sound quality is nothing short of amazing! Check out ‘Poptosis’ and become a believer.” babysue.com May 2019

The band is currently putting together a musical unit to take ‘Poptosis’ to the next level live, and hope to play dates in the US, Japan and Europe in the coming year. The band keeps a presence on social media as time allows, so check out Instagram and Facebook for examples of their unique brand of musicality and good-natured humor.

The album will be available for pre-sale on May 27 and fully released on June 3. Links for the major online retailers will be available at http://www.fraudprophets.com/buy–poptosis-.html
when live.

For more information: www.fraudprophets.com

Press inquiries:

Billy James
Glass Onyon PR
+1 828-350-8158
email us here


Source: EIN Presswire

Open Borders Concert in New York City – June 4 @ 8 PM

NorthSouthJune4Artists

The North/South Consonance Ensemble under the direction of Max Lifchitz perform works by composers from Brazil, Mexico and from throughout the US.

Since founding North/South Consonance in 1980, Mr. Lifchitz, a Mexican-born composer, conductor and pianist, has devoted copious effort to promoting the work of composers underserved elsewhere.”

— New York Times

NEW YORK CITY, NY, USA, May 22, 2019 /EINPresswire.com/ — North/South Consonance, Inc. continues its 39th season on Tuesday evening June 4 when the North/South Consonance Ensemble under the direction of Max Lifchitz introduces music by composers hailing from Brazil, Mexico and throughout the US.

To be heard for the first time in New York City are works for pierrot ensemble by Brazil's Jorge Antunes and Americans Timothy Kramer, Paul Richards and Sarah Wald. Rounding off the program a work by Max Lifchitz, the Mexican-American composer and conductor.

The members of the North/South Chamber Orchestra performing this concert include flutist Lisa Hansen, clarinetist Sammy Lesnick, violinist Mioi Takeda, cellist Marisol Espada, percussionist Sam Budish and pianist Helen Lin.

The event will start at 8 PM and end approximately at 9:30 PM. It will be held at the air-conditioned auditorium of Christ and St. Stephen's Church (120 West 69th Street — between Broadway and Columbus) in Manhattan. The auditorium is ADA accessible. No tickets or reservations needed.

ABOUT THE COMPOSERS AND THEIR MUSIC

Jorge Antunes' Columbine Lunaire is an intensely vivid and colorful work written as hommage to the 20th century master Arnold Schoenberg's whose masterpiece Pierrot Lunaire is one of the seminal contemporary compositions. A native of Rio de Janeiro, Antunes taught at the Villa-Lobos Institute and earned a doctorate in aesthetics at the Sorbonne. His works have been performed throughout Europe and Latin America and are published by Sistrum.

Timothy Kramer's Open Borders — commissioned by the Mexican ensemble Onix — represents the composer's reaction to the various political solutions proposed to deal with the US-Mexico border. Kramer describes the work as "a rich tapestry of music unfolds: an odd, exotic tune; a jagged blues progression; a Latin groove; a small minimalist whirlpool." Kramer studied at the University of Michigan and has taught at Trinity University in San Antonio and Illinois College. The press has described his style as "constantly inventive, clear, full of energy and admirably precise."

Max Lifchitz's Yellow Ribbons No. 35 is a haunting, single-movement work inspired by the 1979 American hostage crisis in Iran. The work alludes to the continuing war on terrorism and its consequences in a subtle manner. Born in Mexico City, Lifchitz has resided in New York City since 1966. His works have been performed throughout Europe, Latin America and the US. He is well known for his effort to promote the works of composers underserved by mainstream performing organizations.

Paul Richards' Ouroboros takes its name from the depictions of a serpent or dragon eating its own tail, typically symbolizing eternity or cyclicality found in many cultures. The musical materials employed in this work are cyclic in nature suggesting infinity within a finite space. Richards' works have been heard throughout the US and abroad and are published by Carl Fischer Music, Inc. the winners of the ASCAP Rudolph Nissim Prize he heads the composition program at the University of Florida.

Sarah Wald's Bacchanale was mainly inspired by opera: namely, by Bizet's Carmen, by several of Verdi's operas, and, perhaps unsurprisingly, by the Bacchanale from Saint-Saens' Samson et
Dalila. The piece begins at a moderate tempo, which gradually increases to a chaotic frenzy by its end. originally from Chicago, Wald studied at Columbia university and the San Francisco Conservatory. Her works have been featured at various festivals in the U.S. and Europe, and broadcast on WFMT's Relevant Tones program.

Since its inception in 1980, the North/South Consonance, Inc. has brought to the attention of the New York City public over 1,000 works by composers hailing from the Americas and elsewhere representing a wide spectrum of aesthetic views. Its activities are made possible in part, with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs. Additional support provided by the Women's Philharmonic Advocacy, the Music Performance Trust Fund as well as the generosity of numerous individual donors.

Max Lifchitz
North/South Consonance, Inc
+1 212-663-7566
email us here

The North/South Consonance Ensemble plays Elan by Elliott Schwartz


Source: EIN Presswire

Life of A Ghetto Youth Chapter 2 ft. Reggae Superstars Dropped on May 17 to Help Those Affected by Violence in Trinidad

Rastafarian Superstars Collaborate on “Life of A Ghetto Youth – Chapter 2” Executive Produced by Ricardo “Rico” Vasconcellos and Vychalle “Kid” Singh. From Left, Anthony B, Pressure Busspipe, Marlon Asher and Orlando Octave.

Grammy-nominated Sizzla Kalonji has released more than 75 solo albums and more than 15 compilation albums, crossing different genres of reggae. His album, “The Messiah,” was nominated for a Grammy Award.

Shaquille Selkridge aka Izac King made his freshman debut on “Life of A Ghetto Youth,” the first compilation album featuring Sizzla Kalonji, Jah Cure, Marlon Asher, Ras Shiloh and Pressure Busspipe.

Melech Miguel-Kayodeye Collins also known as Melekú is a young and upcoming reggae artist. He was born in Kingston, Jamaica and grew up in the areas of August Town, Liguanea and Barbican. Melekú is the son of Sizzla.

“Life of A Ghetto Youth – Chapter 2” Album Cover Concept by Art Director Qadir “Q Lion” Maharaj.

The Compilation Album, Based on the Dangerous Life in Trinidad, features Anthony B, Sizzla, Marlon Asher, Pressure Busspipe, Izac King, Meleku’ & Orlando Octave

Life of A Ghetto Youth is the story of my life in Trinidad. Portions of the proceeds from the sale of the Chapter 2 album will be donated to families who are affected by the violence in Trinidad.”

— Ricardo "Rico" Vasconcellos, founder of VAS Productions LLC

HOLLYWOOD, CA, USA, May 22, 2019 /EINPresswire.com/ — "Life of A Ghetto Youth – Chapter 2" compilation album, based on true events about the dangerous life in Trinidad,dropped on Friday, May 17 to rave reviews. "The project is our labor of love and features songs by top reggae artists: Sizzla Kalonji, Anthony B, Pressure Busspipe, Marlon Asher, Izac King, Meleku’, and Orlando Octave," said Ricardo "Rico" Vasconcellos, the founder of VAS Productions LLC and the brainchild behind the "Life of A Ghetto Youth" movement. The project follows the 2017 critically acclaimed compilation album and sold-out tour dates.

The second compilation album, a fusion of quality Caribbean entertainment, is available on all digital platforms. It was executive produced by Vasconcellos and Vychalle "Kid" Singh. "We all share a common thread of our backgrounds, religious beliefs and experiences, so it is no surprise that we all agreed to donate a portion of the proceeds from the sale of the Chapter 2 album to families who are affected by the violence in Trinidad," said Vasconcellos.

The first compilation project yielded $30,000 in donations for the victims and survivors in Trinidad and Jamaica. "We expect our second project to triple in the amount of donations to help our friends and families."

Vasconcellos grew up in an extremely dangerous area of Trinidad. According to the Inter-American Development Bank, Trinidad and Tobago is currently on track to have its highest homicide rate ever in history. "During my formative years, there was so much youth on youth murders. I made a promise to my mother that this would not happen to me," said Vasconcellos. "I left the gang life and focused on the music and entertainment industry."

Vasconcellos' mother told him, "If you can start a gang, you can start a business."

Music has been in his blood since the age of 10. "I grew up in a loving, single parent household," he said. "To help out my mom financially, I burned CDs and sold them on the streets of Trinidad." Vasconcellos left Trinidad in 2012. In a few short months after arriving in the United States, he arranged for his long-time friend, Marlon Asher, to meet him in the US and signed him to his record label. "Music was my way out, it saved my life," said Vasconcellos.

"Life of A Ghetto Youth musically tells the story of Vasconcellos' life in Trinidad. "One tragic night, Marlon's family was the victim of a home invasion and robbery. Unknown assailants murdered Marlon's brother and sister and wounded other family members," he said. "Out of that unspeakable tragedy, Marlon and I decided to make a difference. The project took on a spiritual force of its own and is very close to my heart."

"This album truly encompasses the definition of Caribbean peace, love, and unity," said Singh, a man of many talents as an audio engineer, producer, writer, musician, record executive and concert promoter. "My goal was to incorporate the producers, musicians and artists who took the "rootical" vibe of reggae to a new place sonically." Singh is a Grammy-Nominated Producer and Engineer for “Sizzla Kalonji” and the Engineer on DJ Khaled's album, “Father of Asahd” on the song, “Holy Mountain."

Singh was born in New York City but raised in Trinidad. He left New York with his family when he was ten. His father was a DJ.

"When I turned 16, I followed in my dad's footsteps and became the No. 1 DJ in Trinidad. I did that for one year while going to school," he said. "I would DJ from midnight to 5 a.m., go to school from 8 a.m. until 4 p.m., perform household chores, sleep for about 3 hours then head back to the nightclub."

Singh was seriously devoted to his music; however, he graduated at the top of his class for Civil Engineering. "Unfortunately, my passion was not in civil engineering," said Singh. "It broke my parents' heart but I had to follow my heart and pursue music."

At 17, Singh moved back to New York and was on his own. "I studied at the Institute of Audio Research for three years and graduated at the top of my class," said Singh. "I returned to Trinidad and opened a recording studio which led me to meet Sizzla."

Sizzla told Singh, "I will take you out of here and make something of you." Three months later, Sizzla and Singh recorded an album. Sizzle flew Singh to his native Jamaica to mix the album. Singh considers that experience his first big break. The album was released as a mixed tape, which made a lot of noise in the music industry.

At the 56th Annual Grammy Awards, Singh and Sizzla were nominated for a Grammy for "The Messiah," in the Best Reggae Album category. In 2016, their mutual friend Marlon Asher introduced Vasconcellos to them and brought them on the Life of A Ghetto Youth Chapter 1. "It didn't take much to convince Sizzla and Anthony B to sign onto the project," said Singh. "Rico's vision was so powerful, we immediately clicked and began to make music magic."

The Life of A Ghetto Youth – Chapter 2 takes the listener through a musical journey featuring some of the Caribbean’s most prolific artists.

"This project shines the light on the struggle and our message is heard in our music," said Singh. "I want the youth to take their minds away from material things that have no meaning and show them love and the importance of living a positive life."

The Life of A Ghetto Youth – Chapter 2 cover art concept was designed by Art Director Qadir “Q Lion” Maharaj.

For interviews, contact Raffles Entertainment at raffles@rafflesentertainment.com or Platinum Star Public Relations at info@platinumstarpr.com.

Follow the artists:

@anthony_b_originalfireman
@sizzla876
@mrmarlonasher
@presurebusspipe
@izacking
@868music
@melekuofficial
@lifeofaghettoyouth
#TeamVas

Marie Lemelle
Platinum Star PR
+1 213-276-7827
email us here

Bonus Track from Life of A Ghetto Youth – Chapter 2, “How Great is This Moment” featuring Meleku’, the son of Sizzla


Source: EIN Presswire

In-store Music Service Market 2019 Global Key Players, Trends, Share, Size, Segmentation, Opportunities, Forecast 2025

This report covers market characteristics, size and growth, segmentation, regional breakdowns, competitive landscape, market shares, trends and strategies

PUNE, INDIA, May 22, 2019 /EINPresswire.com/ — In-store Music Service refers to the licensed ambient music in restaurants, retail stores, public spaces, or office buildings, which was known as Elevator music at first.

According to this study, over the next five years the In-store Music Service market will register a xx% CAGR in terms of revenue, the global market size will reach US$ xx million by 2024, from US$ xx million in 2019. In particular, this report presents the global revenue market share of key companies in In-store Music Service business, shared in Chapter 3.

This report presents a comprehensive overview, market shares and growth opportunities of In-store Music Service market by product type, application, key companies and key regions.

This study considers the In-store Music Service value generated from the sales of the following segments:

Segmentation by product type: breakdown data from 2014 to 2019 in Section 2.3; and forecast to 2024 in section 10.7.
Music Streaming
AV System Equipment

Segmentation by application: breakdown data from 2014 to 2019, in Section 2.4; and forecast to 2024 in section 10.8.
Retail Stores
Cafes & Restaurants
Leisure & Hospitality
Public Organizations
Others

This report also splits the market by region: Breakdown data in Chapter 4, 5, 6, 7 and 8.
Americas
United States
Canada
Mexico
Brazil
APAC
China
Japan
Korea
Southeast Asia
India
Australia
Europe
Germany
France
UK
Italy
Russia
Spain
Middle East & Africa
Egypt
South Africa
Israel
Turkey
GCC Countries

Request a Free Sample Report @ https://www.wiseguyreports.com/sample-request/3705318-global-in-store-music-service-market-growth-status-and-outlook-2019-2024

The report also presents the market competition landscape and a corresponding detailed analysis of the major vendor/manufacturers in the market. The key manufacturers covered in this report: Breakdown data in in Chapter 3.
Mood Media
PlayNetwork
TouchTunes
Usen Corporation
SiriusXM for Business
Pandora for Business
Almotech
Imagesound
NSM Music.
CSI Music
Easy on Hold
Sunflower Music
Soundjack
Xenon Music Media
Soundtrack Your Brand
Jamendo Listening
Heartbeats International
SoundMachine
Rockbot
Jukeboxy
Cloud Cover Music
Custom Channels
Auracle Sound
Brandtrack
Kasimu
Soundreef
Express Melody
Qsic
StorePlay
Open Ear Music

In addition, this report discusses the key drivers influencing market growth, opportunities, the challenges and the risks faced by key players and the market as a whole. It also analyzes key emerging trends and their impact on present and future development.

Research objectives
To study and analyze the global In-store Music Service market size by key regions/countries, product type and application, history data from 2014 to 2018, and forecast to 2024.
To understand the structure of In-store Music Service market by identifying its various subsegments.
Focuses on the key global In-store Music Service players, to define, describe and analyze the value, market share, market competition landscape, SWOT analysis and development plans in next few years.
To analyze the In-store Music Service with respect to individual growth trends, future prospects, and their contribution to the total market

Table of Contents

2019-2024 Global In-store Music Service Market Report (Status and Outlook)

1 Scope of the Report
1.1 Market Introduction
1.2 Research Objectives
1.3 Years Considered
1.4 Market Research Methodology
1.5 Economic Indicators
1.6 Currency Considered

2 Executive Summary
2.1 World Market Overview
2.1.1 Global In-store Music Service Market Size 2014-2024
2.1.2 In-store Music Service Market Size CAGR by Region
2.2 In-store Music Service Segment by Type
2.2.1 Music Streaming
2.2.2 AV System Equipment
2.3 In-store Music Service Market Size by Type
2.3.1 Global In-store Music Service Market Size Market Share by Type (2014-2019)
2.3.2 Global In-store Music Service Market Size Growth Rate by Type (2014-2019)
2.4 In-store Music Service Segment by Application
2.4.1 Retail Stores
2.4.2 Cafes & Restaurants
2.4.3 Leisure & Hospitality
2.4.4 Public Organizations
2.4.5 Others
2.5 In-store Music Service Market Size by Application
2.5.1 Global In-store Music Service Market Size Market Share by Application (2014-2019)
2.5.2 Global In-store Music Service Market Size Growth Rate by Application (2014-2019)

3 Global In-store Music Service by Players
3.1 Global In-store Music Service Market Size Market Share by Players
3.1.1 Global In-store Music Service Market Size by Players (2017-2019)
3.1.2 Global In-store Music Service Market Size Market Share by Players (2017-2019)
3.2 Global In-store Music Service Key Players Head office and Products Offered
3.3 Market Concentration Rate Analysis
3.3.1 Competition Landscape Analysis
3.3.2 Concentration Ratio (CR3, CR5 and CR10) (2017-2019)
3.4 New Products and Potential Entrants
3.5 Mergers & Acquisitions, Expansion

…….

11 Key Players Analysis
11.1 Mood Media
11.1.1 Company Details
11.1.2 In-store Music Service Product Offered
11.1.3 Mood Media In-store Music Service Revenue, Gross Margin and Market Share (2017-2019)
11.1.4 Main Business Overview
11.1.5 Mood Media News
11.2 PlayNetwork
11.2.1 Company Details
11.2.2 In-store Music Service Product Offered
11.2.3 PlayNetwork In-store Music Service Revenue, Gross Margin and Market Share (2017-2019)
11.2.4 Main Business Overview
11.2.5 PlayNetwork News
11.3 TouchTunes
11.3.1 Company Details
11.3.2 In-store Music Service Product Offered
11.3.3 TouchTunes In-store Music Service Revenue, Gross Margin and Market Share (2017-2019)
11.3.4 Main Business Overview
11.3.5 TouchTunes News
11.4 Usen Corporation
11.4.1 Company Details
11.4.2 In-store Music Service Product Offered
11.4.3 Usen Corporation In-store Music Service Revenue, Gross Margin and Market Share (2017-2019)
11.4.4 Main Business Overview
11.4.5 Usen Corporation News
11.5 SiriusXM for Business
11.5.1 Company Details
11.5.2 In-store Music Service Product Offered
11.5.3 SiriusXM for Business In-store Music Service Revenue, Gross Margin and Market Share (2017-2019)
11.5.4 Main Business Overview
11.5.5 SiriusXM for Business News
11.6 Pandora for Business
11.6.1 Company Details
11.6.2 In-store Music Service Product Offered
11.6.3 Pandora for Business In-store Music Service Revenue, Gross Margin and Market Share (2017-2019)
11.6.4 Main Business Overview
11.6.5 Pandora for Business News
11.7 Almotech
11.7.1 Company Details
11.7.2 In-store Music Service Product Offered
11.7.3 Almotech In-store Music Service Revenue, Gross Margin and Market Share (2017-2019)
11.7.4 Main Business Overview
11.7.5 Almotech News

……Continued

Make an enquiry of this Report @ https://www.wiseguyreports.com/enquiry/3705318-global-in-store-music-service-market-growth-status-and-outlook-2019-2024

NORAH TRENT
Wise Guy Reports
841 198 5042
email us here
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Source: EIN Presswire

Steph Carse Wins Best Music Video at International Christian Film Festival for Amazing Grace

Steph Carse: My Shining Hour

JUNO Nominated Vocalist Wins Yet Again for His Powerful Visual & Vocal Rendition of “AMAZING GRACE”

NASHVILLE, TN, USA, May 21, 2019 /EINPresswire.com/ — JUNO Nominated Male Vocalist Steph Carse was recently awarded Best Music Video at the International Christian Film Festival (ICFF) for his rendition of Amazing Grace. This is his third win with the recording, having won the same honor at the Canadian International Faith & Family Film Festival (CIFF) awards in September, and the Gold Remi award in April at the 52nd WorldFest-Houston International Film Festival. Carse’s music video, Hallelujah, also garnered a Silver Remi award at WorldFest.

For the award-winning Amazing Grace video, viewable at https://www.youtube.com/watch?v=Mul-MnDikRw, Carse not only co-arranged and performed the song but also directed and produced the video. Crossing musical styles including Pop, Gaelic, African, and Native American, Carse’s rendition of the beloved hymn is a multi-cultural experience, merging voices, scenes, and landscapes from North Africa, Madagascar and the U.S.

As a songwriter, performer and recording artist, Carse has sold over 500,000 albums worldwide and received a 5-star review for his 36-show run in Las Vegas from Jerry Fink of The Las Vegas Sun. In 1998, Carse achieved another career milestone when he performed at the ribbon cutting for Portofino Universal Studios Florida, backed by a 25-piece orchestra and choir.

Dedicated to championing worthy causes, Carse co-wrote and performed the anthem Reach Out, the official song for The American Red Cross, and wrote and performed the title track for the album "Holiday Heroes" for The Special Olympics in Canada. The “Holiday Heroes” album generated over $2 million in net profit for The Special Olympics. Carse has now launched his non-profit Y i Count to provide a platform for this generation, helping them to understand their true value and potential, the power of words, and to counteract the aftermath of bullying.

As a television producer, Carse won 5 awards from The Florida Motion Picture and Television Association, including Best Feature Film and Best Male Vocalist, for the one-hour TV special “Reach Out” that he produced for PBS.

He continues, “I am humbled and grateful for the opportunity to tell stories and perform. Being surrounded by the talent at these events was incredibly inspiring. There is some incredible new talent in our market – I’m honored to share hope and faith through the powerful mediums of music and film.”

Carse is currently working on a new album, to release in late 2019 as well as promoting his anti-bullying campaign “Y iCount”. To experience more of his story, Steph’s “My Shining Hour” TV special is currently available to stream through StephCarse.com and ChristianCinema.com.

For additional information, visit www.StephCarse.com and www.YiCount.org.

Lori Heiselman
FrontGate PR
714-553-5181
email us here

Multi-Award Winning Amazing Grace by Steph Carse


Source: EIN Presswire

Guitaarr.com Announces Acquisition of Tiickets as Part of its Website Portfolio

We’re proud to place our brand at the forefront of the online music industry with this acquisition.

MANCHESTER, UNITED KINGDOM, May 21, 2019 /EINPresswire.com/ — Guitaarr.com, the guitar lessons and reviews site known for its objective approach to delivering information about the music industry, has acquired content ticket comparison website Tiickets in a move that furthers its reach whilst expanding its website portfolio.

The acquisition comes at a time where Guitaarr.com has seen continued growth both in term of revenue and engagement, aligning with its pledge to deliver only the best and most objective information on what fans of music and the general music industry seek.

James Taylor, director of marketing for Guitaarr.com, said that the merger was “a welcome next step in the natural growth of our brand, and a logical way to grow our offering whilst maintaining the core values that our audience (quite rightly) expect. Tiickets as a service is revolutionary, and we’re proud to place our brand at the forefront of the online music industry with this acquisition.

Head of Development at Tiickets, Scott Murray, added that the choice to merge was “an opportunity for developing our reach that would otherwise be impossible without the backing of the Guitaarr brand. We’re very optimistic about the future of our two brands and will be thrilled to announce new offerings in the very near future.

Guitaarr is a popular music industry blog focusing on providing guitar reviews, deep analysis of reputable online guitar lessons, and has content such as the popular guide for beginner guitarists.

Tiickets is a concert ticket price comparison site, committed to providing fans of live music the chance to purchase tickets fairly.

James Taylor
Guitaarr
7393 285400
email us here


Source: EIN Presswire

URBAN LGBTQ RADIO STATION EXPANDS PROGRAMMING

WERUradio #urbanmusicfortheLGBTQCommunity

WERUradio #urbanmusicfortheLGBTQCommunity

George "Say" Daigle WERUradio Program Director

George “Say” Daigle WERUradio Program Director

Miss Sophia WERUradio Personality

Miss Sophia WERUradio Personality

WERUradio created a unique format that interpolates the uptempo flavors of R&B,Hip Hop and House Music providing an authentic urban LGBTQ listening experience.

We noticed a void when it came to the musical representation of the urban LGBTQ community on traditional radio and internet streaming services. I set out to fill the chasm and created the format.”

— George "Say" Daigle

ATLANTA, GEORGIA, UNITED STATES, May 20, 2019 /EINPresswire.com/ — Contact: 
(678) 839-WERU (9378)             
WERUradio Promotions
George@WERUradio.com

URBAN LGBTQ RADIO STATION EXPANDS PROGRAMMING

Atlanta, Ga: WERUradio broadcasts 24hrs a day on WERUradio.com, Live365, Streema.com, https://www.radio.net, the WERUradio app and Alexa/Echo using the WERUradio skill. WERUradio has created a platform that interpolates the uptempo flavors of R&B (Lizzo, Beyonce, Chris Brown) Hip Hop (Busta Rhymes, Trina, Missy Elliott) and House Music  (Quentin Harris, Martha Wash, Frankie Knuckles) combine to give you a unique musical taste.

WERUradio fills a niche market by prominently featuring amazing artists like B. Slade, Big Freedia, Miss Lawrence, Vincint. and more from the LGBTQ community in heavy rotation.

WERUradio's mission is to present the diversity of the musical landscape in the LGBTQ community. Many LGBTQ themed and formatted stations, only offer one dimension of the vast patchwork of musical influences embraced by the LGBTQ community. Moreover, those same stations are void of the incredible artists who articulate and represent the musical tapestry of the LGBTQ community.

While WERUradio features LGBTQ artists, the format remains relatable to everyone. Whether you’re part of the LGBTQ Community or not, WERUradio offers music that makes you feel good and makes you move. The universal force that brings the world together.

WERUradio adds dynamic on-air personalities to its programming roster that reflects the unique tone of the LGBTQ community.

“The WE aRe U Morning Crew” Monday-Friday 6-10am EST
Your hosts play the hottest music tracks alongside discussions on trending topics with hilarious commentary, and intelligent insightful observations.

“Middays with Diamond” Monday-Friday 10 am-2 pm EST
The 1st Lady of WERUradio Middays delivers her shining personality and distinctive voice while she plays the latest in R&B, Hip Hop, and House Music.

“Chit Chat with Miss Sophia” Monday-Friday 2-6 pm EST
This award-winning comedian, on-air personality, and drag superstar play more of your favorite songs. Miss Sophia brings her outrageous oratory and bodacious personality to your afternoon. Her humorous dialogue on all the latest in celebrity news and gossip will have you roaring with laughter.

“Sibley Saturdays” Saturday 10 am- 2 pm EST
No more simple Saturdays now you have Sibley Saturdays. Veteran performer, Keith Sibley puts some pep in your weekend routine with back to back House Music.

“The House of WERU” Sunday 9 am-12pm
WERUradio shows its Spiritual side as George Daigle gives you words of motivation paired with continuous Inspirational House Music.

“We noticed a void when it came to the musical representation of the urban LGBTQ community on traditional radio and internet streaming services. It’s like that wealth of talent, and urban culture was stripped from the banner of “pride” musically. I set out to fill the chasm and created the format. Urban in the LGBTQ community isn’t a color; it’s a culture. It’s a sound. It’s a vibe. WERUradio puts that in your ear 24 hours a day musically.” , declares the program director, pioneer of the format and owner of WERUradio.

While WERUradio features LGBTQ artists, the format remains relatable to everyone. Whether you’re part of the LGBTQ Community or not, WERUradio offers music that makes you feel good and makes you move. The universal force that brings the world together.

WERUradio combines uptempo songs in R&B, Hip Hop and House Music
WERUradio adds dynamic on-personalties to its programming roster
WERUradio features music artists from the LGBTQ Community
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George Daigle
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Source: EIN Presswire

British Prog Diva Rosalie Cunningham To Release New Self-Titled Solo Album On July 26, 2019!

Rosalie Cunningham - Rosalie Cunningham Cover

Rosalie Cunningham – Rosalie Cunningham

Greatly anticipated new studio solo album from Rosalie Cunningham, formerly of acclaimed band Purson.

ASHEVILLE, NC, USA, May 20, 2019 /EINPresswire.com/ — Esoteric Antenna are delighted to announce a new studio album with Rosalie Cunningham. Since her celebrated band Purson played its final gig in late 2016, singer, songwriter and multi instrumentalist Rosalie has been working on a new solo album, to showcase her talents as the visionary solo artist she always was.

As Rosalie says, “Being able to take time over arrangements without time pressures means that everything feels right, without being contrived.”

The album features a full range of musical styles showing off to the full Rosalies incredible vocal range and playing ability and is sure to delight both old fans of Purson and hopefully many new fans.

The self-titled album will be available both on Digipack single CD and 180 gram vinyl format on July 26th. In support of the release, Rosalie and her band will be touring the UK in July 2019 with further dates to come.

TRACK LISTING
Ride on My Bike
Fuck Love
House of the Glass Red
Dethroning of the Party Queen
Nobody Hears
Riddles and Games
Butterflies
A Yarn from the Wheel

To pre-order: https://www.cherryred.co.uk/artist/rosalie-cunningham/

For more information: www.rosaliecunningham.com

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Distribution is being handled in the US exclusively by Amped Distribution www.ampeddistribution.com and wholesale inquiries can be made to Alex Jimenez at alex@ampeddistribution.com

Billy James
Glass Onyon PR
+1 828-350-8158
email us here


Source: EIN Presswire

"Just Before The Light" Contemplative Smooth Jazz Ballad from the Number One Billboard Album "Amsterdaam"

GroovExpress – Just Before The Light

USA, May 20, 2019 /EINPresswire.com/ — The New Zealand based contemporary jazz sensation GroovExpress returns to the music scene with the release of their single Just Before The Light. The track is a smooth jazz ballad from the number one Billboard album titled Amsterdaam, which I had the honor of reviewing back in October of 2018.

Just Before The Light is a sophisticated but elegant composition that is sure to charm the ears of music fans across the globe. This wonderful composition has a tranquil musical landscape that comes to life through its vibrant bassline and brass measures that fall perfectly in balance with the track's organic vibe.

The track is led by a dialogue of acoustic and jazz guitars. Accents of the piano add to Just Before The Light's depth and structure. The mood of the composition is like a refreshing breeze on a summer night, wherein all can watch the sunrise. GroovExpress' inventive offering is memorable and soothing to the soul.

GroovExpress has released a video promo, which is posted at the end of this article. Just Before The Light is set for release on June 7th, 2019, but the single can be pre-ordered as early as May 31st, 2019. (https://groovexpress.me/en)

Anissa Boudjaoui
The Sound of L.A.
+1 818-514-0038
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Source: EIN Presswire

U.S. Navy Vet, Dwight “Dubb” White Fights Adversity through Creation of Recording and Editing Studio

OverDubb Studio

OverDubb Studio

Dwight “Dubb” White

Dwight “Dubb” White

I’ve always been passionate about music and audio. Even before I enlisted in the Navy, music played a large part in my life and as I served my country, too.”

— Dwight “Dubb” White

LAS VEGAS, NV, USA, May 20, 2019 /EINPresswire.com/ — U.S. Navy Vet, Dwight “Dubb” White, is pleased to announce he has successfully battled adversity through the creation of a recording and editing studio.

The studio, called OverDubb Studio, specializes in recording, mixing, and mastering music services. Additionally, White also has a 4-person podcast setup and provides services in recording and editing audio books, and syncing audio for film.

“I’ve always been passionate about music and audio,” says White, Senior Engineer/Owner of OverDubb Studio. “Even before I enlisted in the Navy, music played a large part in my life and as I served my country, too.”

White’s journey in creating OverDubb Studio, however, has been filled with adversity. In 2010, White was battling to overcome injuries he sustained while on active duty. Unfortunately, he was not able to overcome his injuries in order to be released back into full duty, and was medically separated after completing his enlistment.

“I was left with few options and unable to work the job I was training to do for four years in the Navy,” says White. “Once discharged from active duty service, I immediately went back to school to get training as an audio engineer.”

In 2011, White completed his training at Fullsail University and moved back to his hometown of Los Angeles where he interned at the highly respected Larrabee Sound Studios for 18 months. Bad luck struck again, however, as he was told by his doctors doing his internship that he reinjured himself and would need surgery again.

This time I was told I would be unable to walk for three to six months and this effectively destroyed my dreams of becoming an assistant engineer at the studio I was interning at,” White says. “I felt hopeless and decided to pack up and move to Las Vegas to be closer to family until I recovered.”

Upon his arrival in Las Vegas, some time had passed and he decided to rent a small office space to set up his equipment to be used as a music therapy to help with his depression, and to give him something productive to do with his time.
“After a while working with various local artists, I saw that maybe I could start my own studio,” White states. “I eventually built up a nice clientele and was excited to put everything I had into my business.”

But, in July 2018, adversity struck again when White’s office space was broken into. Thieves made away with much of his expensive equipment, leaving White feeling devastated and heartbroken.

“I fell back into depression after that, but after about a week, I picked myself up and vowed I wouldn’t let someone else ruin my dreams,” White says. “I moved into a new, larger office space with better security to set up OverDubb Studios and finished renovations by October.”

Since then, OverDubb Studios has received great reviews and feedback from clients. White is currently seeking new individuals and businesses that are in need of professional audio work.

Anyone interested in working with White are invited to contact him at Bookings@OverDubbStudio.com.

Dwight "Dubb" White
OverDubb Studio
+1 702-329-8162
email us here


Source: EIN Presswire