Stoney’s Rockin’ Country Nominated for Nightclub of the Year by The Academy of Country Music

(Pictured Left to Right): Jeff “Toad” Higginbotham, and Chris Lowden

LAS VEGAS, NV, UNITED STATES, May 23, 2018 /EINPresswire.com/ — Las Vegas’ country hotspot, Stoney’s Rockin’ Country, is nominated for Nightclub of the Year according to the Academy of Country Music. Stoney’s is nominated in the Industry and Studio Awards category of the 2018 ACM Honors awards. The winners will be acknowledged during the 12th annual ACM Honors ceremony in Nashville, TN at the Ryman Auditorium on August 22, 2018.

Stoney’s Rockin’ Country’s founder, Chris Lowden, commented from his headquarters in Las Vegas stating, “We’re truly honored and humbled to be nominated by the ACM this year. I love creating an atmosphere for all artists, especially emerging artists, where they feel welcome and excited to perform or just hang out while they are in town. This acknowledgement means a lot to each and every one of us here at Stoney’s.”

Stoney’s Rockin’ Country has fast become the unofficial home for the country music community on the west coast. In 2017 Stoney’s presented over 100 live country performers. They reprised their successful presentation of the ACM Tailgate Party for a Cause concerts in 2018. The venue generated significant sums of charitable revenue for the ACM Lifting Lives program and the Las Vegas Victims Fund, benefiting those who suffered as a result of the Las Vegas shootings and continues that support at the venue weekly.

"As the bands keep coming through Stoney’s, I am continually pleased to hear their consistent words of encouragement like, 'we feel like we are at home here.' That feedback alone speaks volumes to what my personal goal has always been about, treating every single artist with respect that walks onto our stage. Being noticed and nominated on this level reinforces that what Chris and I love and strive to do at Stoneys is indeed moving in the right direction,” concludes Jeff “Toad” Higginbotham Stoney’s marketing director/co-buyer.

Stoney’s opened a Nashville office in May 2018 to further collaborate with the music community.

About Stoney’s Rockin’ Country
The World-Famous Stoney’s Rockin’ Country is Las Vegas’ premiere destination for locals and tourists who are looking for a boot-stomping good-ole-time with line dancing, mechanical bull riding, beer pong, pool tables and more. Located at Town Square, Stoney’s Rockin’ Country is a 19,000-square foot high-energy nightclub that features a 2,000-square foot dance floor and boasts a capacity for 1,000 fans to enjoy live national country acts. The venue’s state-of-the art Alcons sound system, matched with the industry’s leading DJs, provides a world class listening experience. Doors open at 7 p.m. and line-dancing lessons begin at 7:30 p.m. Stoney’s is located at 6611 Las Vegas Boulevard South, Suite 160, Las Vegas, Nevada 89119.

# # #

Brittany Madsen
Stoney's Rockin' Country
7022349044
email us here


Source: EIN Presswire

xFyro Introduces ARIA – The Most Advanced Waterproof Wireless Earbuds Ever

xFyro ARIA comes with additional eartips and wing tips to ensure a perfect fit

xFyro ARIA is 100% Waterproof and can even be used while showering

xFyro ARIA Wireless Earbuds

Bluetooth 5, waterproof, dustproof, auto-pairing, and with 32-hour battery life at an unbeatable price

Sound quality, features and product integrity are of utmost important to us because this is what’s important to our customers”

— xFyro

NEW YORK, NY, USA, May 23, 2018 /EINPresswire.com/ — xFyro introduces ARIA, the next generation in wireless earbuds that brings industry-leading technology to the everyday consumer by creating the most immersive listening experience with a waterproof product that was made to keep up with every lifestyle. With Bluetooth 5, an IP67 waterproof rating, noise cancellation, access to virtual assistants and more, xFyro’s Aria is the newest must-have in audio tech.

The game-changing xFyro ARIA Wireless Earbuds are now live on Indiegogo. These premium wireless earbuds integrate a host of premium features, offering state-of-the-art speakers with a touch-activated microphone, in-ear detection, volume control, and automatic pairing.

From a technical perspective, ARIA is one of the most advanced wireless earbuds ever. It uses the latest Bluetooth 5 technology for unparalleled connectivity range and high-speed data transmission for a seamless listening experience – completely removing audio-video sync issues plaguing earbuds with older technology.

xFyro’s ARIA also has advanced features not seen in most other earbuds, such as stereo calling, dual beamforming microphones and high-speed charging that enables up to 3 hours of listening time after a quick 15 minute charge. It features an astounding 8 hour battery life per charge and 3 additional charges with its carrying case for a total of 32 hours of battery life. It’s one step pairing process also makes paring incredibly simple, and it can even automatically pair to multiple devices right out of its case. Even volume control and access to Google Assistant and Siri requires no more than a tap of a finger, making ARIA one of the most advanced headphones on the market today.

Along with these premium features, Aria was engineered to deliver astounding sound quality that will shock listeners when considering its price point compared to competitors. ARIA is available now for less than half its retail price at an impossible-to-beat early-bird pricing on Indiegogo.

Designed for convenience and comfort, research and development engineers conducted extensive trials among thousands of ears across six continents to ensure ARIA can achieve a comfortable and secure seal in every ear with its unique system combining the use of both earbud tips and wing tips.

The xFyro team responded in detail to many inquiries; but, emphasized the primary focus of xFyro’s business model. “Sound quality, features and product integrity are of utmost important to us because this is what’s important to our customers. We’re committed to excellence and delivering an amazing product and customer experience. Sure, we’ve got tough competition but it’s tough to beat our service, technology and price.”

About xFyro
xFyro has offices in Los Angeles, New York and Hong Kong. The company was originally founded by a group of audio-loving engineers and musicians based in Los Angeles who came together to serve a common purpose: create amazing quality products with cutting edge technology without all the gimmicks. Their focus is simple– just great technology and sound. xFyro products are available on www.xfyro.com and now on Indiegogo for limited-time pricing.

The xFyro ARIA is currently on Indiegogo at over 50% off retail prices.

Mike Stanton
xFyro Audio
***********
email us here

Experience xFyro ARIA


Source: EIN Presswire

Tired of the Same Old Tune: Digital Headhunting is the Future for Bands

Everything is digital these days–here's how one band is using digital marketing tactics to find their next lead singer.

LOS ANGELES, , CALIFORNIA, USA, May 22, 2018 /EINPresswire.com/ — The music industry has a reputation for sparkling lights and whiskey nights, but at the end of the day, it’s a business. The bands of Rock 'n Roll’s glory days were formed in garages, but life today has shifted online and today future rockers are more likely to meet on the digital playgrounds of social media than an actual playground. Sure, there’s music forums and posting boards like Craigslist, but that “come-and-get-it” approach leaves bands at a disadvantage. By waiting for the stars to align, there’s no guarantee that the person scrolling the back pages of the internet is going to be the best fit for talent or personality.

Thanks to the mountain of technology available, there are more inexpensive resources than ever to get the word out. Sure, it’s pretty punk to make a sign out of an empty beer case and permanent marker advertising open positions, but even in the most heavily trafficked areas that will only go so far. Instead, digital campaigns can spread the word in ways and places that physical posters can’t. Howling Bones, an alternative rock band out of L.A. is one band trying this new digital alternative. Their strategy combines the best of digital marketing and recruiting with an on-demand approach to auditions. Here’s what they’re doing and how you can copy it.

Square One Here I Come
Is your band in need of a quiet type ala Slash of Guns and Roses or a can’t-dim-him-with-a-lampshade frontman in the mold of Freddie Mercury? What are the technical skills needed? It’s likely that the musical style is already determined, but what about the personality? Throwing an Iggy Pop into Bon Iver situation could be magic, but more likely it ends in frustration. Having a strong, well-defined vibe will help to attract the right tribe.

Hey Hey What Can I Do
Before anything is ever posted, shared, liked, or tweeted, the next steps need to be considered. How do you figure out you’ve found the one? In the old days, the only way was to hear a live performance, but technology has changed this. Today bands can request potential members share a livestream or video recording before ever contacting them directly, saving time (as this can be done at convenience) and expanding the search area since travel isn’t an issue.

Sort It Out
As a band, it’s always a good idea to purchase website domains that are related to the band name so that when you make it big, it’s already under secure control. Simple, yet effective websites can be created from drag-and-drop tools–no web design skills needed–and are the best place to host any music samples or receive any submissions.

Over the Hills and Far Away
Crowdsourcing can be a great way to spread the word for bands with established followings, but those just starting off or with limited followings might need more of a boost. Paid promotion on social media and keyword targeting are two of the best ways to reach the biggest and most focused pool of people. These campaigns allow targeting to people in specific demographics and with particular interests. With some ad money, these are able to reach more eyes than any sign could.

Love and Leave It Alone
Setting up a campaign does take legwork, but for up-and-coming bands, many of which that have members working one or two jobs while playing gigs at night, this can be the perfect solution. The posting is seen by the highest number of the best fitting people, allowing the other band members to continue to hone their skills and review submissions as they come in.

Howling Bones, an alt-rock band from Los Angeles, is using this method as the group searches for a new singer. “We’re spending a lot of time in the studio so we can’t meet with every person who wants to join [the band]. Having them go to the website instead of coming in for a sound test helps us to not waste time anyone’s time if we know won’t be a good fit,” says Mitchell Thomas, a founding member of the band. Check out how Howling Bones is using this search strategy, visit www.talent.howlingbones.com

Tristin Westphal
Danger Rainbow
920-785-6387
email us here


Source: EIN Presswire

The Curved Road – Music from the Americas – June 5 @ 8 PM in New York City

The North/South Chamber Orchestra performs music by Basulto, Ben-Amots, Caplan, Lifchitz and de Souza

Max Lifchitz led his North/South players at Christ and St. Stephen's Church in a program of four imaginative recent works. Each piece had something to draw the listener in.””

— New York Times

NEW YORK, NEW YORK, USA, May 22, 2018 /EINPresswire.com/ — The North/South Chamber Orchestra continues its 38th consecutive season of free-admission New York City concerts on Tuesday evening June 5. Guitarist Jordan Dodson will appear as soloist while Max Lifchitz – the ensemble's founder – will be on the podium.

The program will feature five listener-friendly spine tingling compositions by Alejandro Basulto, Ofer Ben-Amots, Oliver Caplan, Max Lifchitz and Ricardo Coelho de Souza.

The event will take place at the intimate and acoustically superior auditorium of Christ & St Stephen's Church (120 West 69th Street) on Manhattan's Upper West Side. The free-admission event will start at 8 PM and end around 9:30 PM. The auditorium is ADA accessible. No tickets or reservations needed.

Since its inception in 1980, the North/South Consonance, Inc. has brought to the attention of the New York City public over 1,000 works by composers hailing from the Americas and elsewhere representing a wide spectrum of aesthetic views. Its activities are made possible with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs; the BMI Foundation; the Music Performance Trust Fund; and the generosity of numerous individual donors.

ABOUT THE COMPOSERS AND THEIR MUSIC

Alejandro Basulto is a young Mexican-born composer whose music is being heard in New York for the very first time. His Jig Variations — a concerto for guitar and chamber orchestra — evokes popular Latin American dances including the romantic Bolero, Son Montuno, Cumbia, Salsa and Reggateon. The young American guitarist Jordan Dodson wll be the featured soloist for the occasion.

Born in Israel, Ofer Ben-Amots studied with Alberto Ginastera in Switzerland and with George Crumb at the Universityof Pennsylvania. The winner of international composition competitions he now heads the music department at Colorado College. A tango for seven instruments, the musical language of Ben-Amot's The Curved Road is rhythmically strict and precise as well as warm and sentimental.

A native New Yorker, Oliver Caplan studied at Dartmouth College and the Boston Conservatory. The artistic director of the Juventas New Music Ensemble his music celebrates the beauty of the natural world and the resilience of the human spirit. His Love Letters was written to mark the Supreme Court's landmark Obergefell v. Hodges ruling recognizing a fundamental right for same-sex couples to marry Excerpts from this work were used as the processional music for the composer's wedding to Chris Beagan.

Active as composer, pianist and conductor, Max Lifchitz has appeared on concert stages throughout Latin America, Europe and the US. Trained at Juilliard and Harvard, Lifchitz was awarded the first prize in the 1976 Gaudeamus Competition held in Holland. His creative endeavors have earned the support of the ASCAP, Ford and Guggenheim Foundations. His Yellow Ribbons No. 40 belongs to an ongoing series of compositions written as homage to the former American hostages in Iran. These compositions represent a personal way of celebrating the artistic and political freedom so often taken for granted in the West. The tragic events that befell New York City on September 11, 2001 convinced the composer that returning to work on this series begun in the early 1980's was both appropriate and worthwhile. The work is in four movements: Distant Fanfare, Waging Peace https://youtu.be/-T8Yksb7F0o, Days of Wrath and Reveries.

Brazilian Ricardo Coelho de Souza is active as percussionist and composer. The winner of a BMI Young Composers' Award, de Souza studied at the Carlos Gomes Conservatory and now teaches at the University of Oklahoma, Norman. His virtuosic Oferendas No. 5 is an eclectic work employing conventional and novel techniques. It is being heard in New York fr the very first time.

Described by the press as "one of the top young guitarists of his generation," Jordan Dodson is an active soloist and chamber musician based in New York and Philadelphia. He has received prizes in numerous competitions, including the 2013 Astral Artists National Auditions, 2011 Lillian Fuchs Chamber Music Competition, 2010 Indiana International Guitar Competition, and 2008 American String Teachers Association Competition. In 2013, he was a Young Artist in Residence on American Public Media's Performance Today. Originally from Columbus, Ohio, Dodson trained at the Curtis Institute of Music, Manhattan School of Music, and the University of Cincinnati. He appears as soloist in the North/South recording of Robert Martin's Water of the Flowery Mill.

For the complete Winter/Spring concert series schedule please visit

http://www.northsouthmusic.org/calendar.asp

To stream, download and/or purchase the more than 60 compact discs
released by the North/South Recordings label please go to

North/South Recordings – http://www.arkivmusic.com/classical/Label?&label_id=1297

Max Lifchitz
North/South Consonance, Inc
518-852-6100
email us here

Waging Peace by Max Lifchitz


Source: EIN Presswire

“Military Tribute “Thank You For Your Service.” Available Memorial Day Weekend.”

“Philadelphia Native Tony’ Jones Is Much More Than A Recording Artist.”

BALTIMORE , MARYLAND, UNITED STATES, May 21, 2018 /EINPresswire.com/ — In a climate of racial tension and political turmoil in the United States, there exist a median of citizens that believe America is still the best Country in the world despite recent and past turmoil. Many believe our armed forces protect America’s freedoms and provide International stabilization and should be honored for their service. In December of 2017, Tony’ Jones decided to honor America’s armed forces by collaborating with award winning producer Micheal Stokes Jr. to record the military tribute “Thank You For Your Service”. In April, Tony’ filmed the unreleased video visual to accompany his well composed anthem. The video was produced and edited by Philadelphia film maker Herricane Morales The video will premier on VEVO in early May and the single will be available digitally via iTunes, Spotify, Amazon and Google Play Memorial Day weekend.

Although the release of “Thank You For You Service” will lead the headlines, Tony’s second passion may be more impactful than his music. Tony’ is the son of a decorated war Veteran and was raised in a military family. His family values encouraged the soul vocalist to launch a non profit corporation which builds and provides affordable housing to military Veterans. In addition to housing, Tony’ Jones provides food and basic living essentials to those in need of assistance. Follow Tony’ Jones on social media and Twitter @tomyjonesmusik for updates regarding the release.

An Original Sound | Global Sounds Records

Tiffiany A.
email us here
9175552323
An Original Sound LLC.

“Thank You For Your Service” (Official Video)


Source: EIN Presswire

Chantal Releases The Powerful New Album ‘Scars’

Singer, songwriter and pianist, Chantal, has released the powerful new album, ‘Scars’ – available from over 600 quality digital music stores online worldwide.

ALISO VIEJO, CALIFORNIA, UNITED STATES, May 21, 2018 /EINPresswire.com/ — The singer, songwriter and pianist, known as Chantal has released her debut album, “Scars.” The album contains 13 tracks for an approximate total listening time of one hour. It has been proudly published as an independent release without the involvement or financial support of the corporate music industry.

Asked to cite some main artistic influences, Chantal writes, “I studied classical music, but I love listening to everything from opera to symphonic metal. It just depends on my mood. I loved the '80s bands but have probably been most influenced by Tori Amos, Evanescence, Within Temptation and Kate Bush.”

Commenting on the general themes of her record, Chantal writes, “Every song comes from a deeply personal place, and the creation of the album is about the scars we all have and share in one form or another. Although most of the songs on this album go from a current circumstance or event, to reveal a more timeless truth about being human, I would also add that some of the songs are calls to action; some are just reactions themselves – some just slam the door.”

The title song of Chantal’s “Scars” was written just after the city of Knysna, South Africa, experienced catastrophic fires in 2017. The media covered the fires until the story no longer generated attention, but the victims of the incident remained. Chantal's concern for those affected inspired the title track.

“The song, itself,” she writes, “speaks to the scars we all carry. Some are shared, others are highly personal, but we all put on a smile and carry on because life goes on. I think this song was a way of reminding myself that I don’t always know what others have been through. And even if all I see is a scar, that doesn’t mean the pain is gone. It doesn’t take the experience away.”

In this way, Chantal's record is a message of encouragement, compassion and humanity.

“We can never underrate kindness,” she says. “I was very moved by the kindness of people from so many different spheres who stepped in after the fire to assist in the crisis. Scars tell us that something has happened here, and not all scars are visible. Kindness places wisdom over ego; it reminds us to be human.”

Chantal has been singing in choirs since a very young age. Her piano playing began at age 10. A veteran musician today, she has been creating original music since 1997. She has performed and recorded with several bands, but “Scars” represents the launch of her solo career. She has said that her songs “are essentially a personal diary of feelings, emotions, reflections and questions.”

“Scars,” the official debut album of Chantal, is now available from over 600 quality digital music stores online worldwide. Get in early.

For more information about the Chantal, her music, album, shows and tour details, visit her website.

– by S. McCauley

Lead Press Release Writer
www.MondoTunes.com

Sean McCauley
Mondo Tunes
(562) 555-1234
email us here

‘Scars’ music video – the title song of Chantal’s new Album.


Source: EIN Presswire

Background Music Market 2018: Global Key Players, Trends, Share, Size, Segmentation, Opportunities, Forecast To 2023

PUNE, INDIA, May 21, 2018 /EINPresswire.com/ — The report provides a comprehensive analysis of the Background Music industry market by types, applications, players and regions. This report also displays the 2013-2023 production, Consumption, revenue, Gross margin, Cost, Gross, market share, CAGR, and Market influencing factors of the Background Music industry in USA, EU, China, India, Japan and other regions

Market Analysis by Players: This report includes following top vendors in terms of company basic information, product category, sales (volume), revenue (Million USD), price and gross margin (%).
Mood Media
PlayNetwork
TouchTunes
Usen Corporation
SiriusXM for Business
Pandora for Business
Almotech
Imagesound
Easy on Hold
Sunflower Music
Soundjack
Xenon Music Media
Qsic
Express Melody
Open Ear Music
Auracle Sound
Cloud Cover Music

Request a Sample Report @ https://www.wiseguyreports.com/sample-request/3105814-2018-global-background-music-industry-depth-research-report

Market Analysis by Regions: Each geographical region is analyzed as Sales, Market Share (%) by Types & Applications, Production, Consumption, Imports & Exports Analysis, and Consumption Forecast.
USA
Europe
Japan
China
India
Southeast Asia
South America
South Africa
Others

Market Analysis by Types: Each type is studied as Sales, Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
Type 1
Type 2

Market Analysis by Applications: Each application is studied as Sales and Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
Retail Stores
Restaurants
Entertainment Places
Public Organizations
Others

Table of Content

1 Background Music Market Overview
1.1 Product Overview of Background Music
1.2 Classification of Background Music
1.2.1 Type 1
1.2.2 Type 2
1.2.3 Type 3
1.2.4 Type 4
1.3 Applications of Background Music
1.3.1 Application 1
1.3.2 Application 2
1.3.3 Application 3
1.3.4 Application 4
1.4 Global Background Music Market Regional Analysis
1.4.1 USA Market Present Situation Analysis
1.4.2 Europe Market Present Situation Analysis
1.4.3 Japan Market Present Situation Analysis
1.4.4 China Market Present Situation Analysis
1.4.5 India Market Present Situation Analysis
1.4.6 Southeast Asia Market Present Situation Analysis
1.4.7 South America Market Present Situation Analysis
1.4.8 South Africa Market Present Situation Analysis
1.5 Background Music Industry Development Factors Analysis
1.5.1 Background Music Industry Development Opportunities Analysis
1.5.2 Background Music Industry Development Challenges Analysis
1.6 Background Music Consumer Behavior Analysis

2 Global Background Music Competitions by Players
2.1 Global Background Music Sales (Unit) and Market Share (%) by Players
2.2 Global Background Music Revenue (Million USD) and Share by Players (2017-2018)
2.3 Global Background Music Price (USD/Unit) by Players (2017-2018)
2.4 Global Background Music Gross Margin by Players (2017-2018)

3 Global Background Music Competitions by Types
3.1 Global Background Music Sales (Unit) and Market Share (%) by Types
3.2 Global Background Music Revenue (Million USD) and Share by Type (2013-2018)
3.3 Global Background Music Price (USD/Unit) by Type (2013-2018)
3.4 Global Background Music Gross Margin by Type (2013-2018)
3.5 USA Background Music Sales (Unit) and Market Share (%) by Type
3.6 China Background Music Sales (Unit) and Market Share (%) by Type
3.7 Europe Background Music Sales (Unit) and Market Share (%) by Type
3.8 Japan Background Music Sales (Unit) and Market Share (%) by Type
3.9 India Background Music Sales (Unit) and Market Share (%) by Type
3.10 Southeast Asia Background Music Sales (Unit) and Market Share (%) by Type
3.11 South America Background Music Sales (Unit) and Market Share (%) by Type
3.12 South Africa Background Music Sales (Unit) and Market Share (%) by Type

4 Global Background Music Competitions by Applications
4.1 Global Background Music Sales (Unit) and Market Share (%) by Applications
4.2 Global Background Music Revenue (Million USD) and Share by Applications (2013-2018)
4.3 Global Background Music Price (USD/Unit) by Applications (2013-2018)
4.4 Global Background Music Gross Margin by Applications (2013-2018)
4.5 USA Background Music Sales (Unit) and Market Share (%) by Applications
4.6 China Background Music Sales (Unit) and Market Share (%) by Applications
4.7 Europe Background Music Sales (Unit) and Market Share (%) by Applications
4.8 Japan Background Music Sales (Unit) and Market Share (%) by Applications
4.9 India Background Music Sales (Unit) and Market Share (%) by Applications
4.10 Southeast Asia Background Music Sales (Unit) and Market Share (%) by Applications
4.11 South America Background Music Sales (Unit) and Market Share (%) by Applications
4.12 South Africa Background Music Sales (Unit) and Market Share (%) by Applications

5 Global Background Music Production Market Analysis by Regions
5.1 Global Background Music Production (Unit) and Market Share (%) by Regions
5.1.1 USA Background Music Market Production Present Situation Analysis
5.1.2 Europe Background Music Market Production Present Situation Analysis
5.1.3 China Background Music Market Production Present Situation Analysis
5.1.4 Japan Background Music Market Production Present Situation Analysis
5.1.5 India Background Music Market Production Present Situation Analysis
5.1.6 Southeast Asia Background Music Market Production Present Situation Analysis
5.1.7 South America Background Music Market Production Present Situation Analysis
5.1.8 South Africa Background Music Market Production Present Situation Analysis
5.2 Global Background Music Production Value (Million USD) and Share by Region (2013-2018)
5.3 Global Background Music Price (USD/Unit) by Region (2013-2018)
5.4 Global Background Music Gross Margin by Region (2013-2018)

6 Global Background Music Sales Market Analysis by Region
6.1 USA Background Music Market Consumption Present Situation Analysis
6.2 Europe Background Music Market Consumption Present Situation Analysis
6.3 China Background Music Market Consumption Present Situation Analysis
6.4 Japan Background Music Market Consumption Present Situation Analysis
6.5 India Background Music Market Consumption Present Situation Analysis
6.6 Southeast Asia Background Music Market Consumption Present Situation Analysis
6.7 South America Background Music Market Consumption Present Situation Analysis
6.8 South Africa Background Music Market Consumption Present Situation Analysis

……Continued

Access Complete Report @ https://www.wiseguyreports.com/reports/3105814-2018-global-background-music-industry-depth-research-report

Norah Trent
wiseguyreports
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Stock Music Global Market Demand, Growth, Opportunities, Analysis of Top Key Player and Forecast to 2023

PUNE, INDIA, May 21, 2018 /EINPresswire.com/ — The report provides a comprehensive analysis of the Stock Music industry market by types, applications, players and regions. This report also displays the 2013-2023 production, Consumption, revenue, Gross margin, Cost, Gross, market share, CAGR, and Market influencing factors of the Stock Music industry in USA, EU, China, India, Japan and other regions

Market Analysis by Players: This report includes following top vendors in terms of company basic information, product category, sales (volume), revenue (Million USD), price and gross margin (%).
Audio Network
Getty Images
Musicbed
POND5
Shutterstock
123RF
AudioBlocks
Earmotion Audio Creation
Envato
Epidemic Sound
MARMOSET
MusicRevolution
NEO Sounds
The Music Case
TrackTour Music
Tunefruit
Market Analysis by Regions:
North America
Europe
China
Japan
Others

Request a Sample Report @ https://www.wiseguyreports.com/sample-request/3127879-2018-global-stock-music-industry-depth-research-report

Market Analysis by Regions: Each geographical region is analyzed as Sales, Market Share (%) by Types & Applications, Production, Consumption, Imports & Exports Analysis, and Consumption Forecast.
USA
Europe
Japan
China
India
Southeast Asia
South America
South Africa
Others

Market Analysis by Types: Each type is studied as Sales, Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
Type 1
Type 2

Market Analysis by Applications: Each application is studied as Sales and Market Share (%), Revenue (Million USD), Price, Gross Margin and more similar information.
Application 1
Application 2

Table of Content

1 Stock Music Market Overview
1.1 Product Overview of Stock Music
1.2 Classification of Stock Music
1.2.1 Type 1
1.2.2 Type 2
1.2.3 Type 3
1.2.4 Type 4
1.3 Applications of Stock Music
1.3.1 Application 1
1.3.2 Application 2
1.3.3 Application 3
1.3.4 Application 4
1.4 Global Stock Music Market Regional Analysis
1.4.1 USA Market Present Situation Analysis
1.4.2 Europe Market Present Situation Analysis
1.4.3 Japan Market Present Situation Analysis
1.4.4 China Market Present Situation Analysis
1.4.5 India Market Present Situation Analysis
1.4.6 Southeast Asia Market Present Situation Analysis
1.4.7 South America Market Present Situation Analysis
1.4.8 South Africa Market Present Situation Analysis
1.5 Stock Music Industry Development Factors Analysis
1.5.1 Stock Music Industry Development Opportunities Analysis
1.5.2 Stock Music Industry Development Challenges Analysis
1.6 Stock Music Consumer Behavior Analysis

2 Global Stock Music Competitions by Players
2.1 Global Stock Music Sales (Unit) and Market Share (%) by Players
2.2 Global Stock Music Revenue (Million USD) and Share by Players (2017-2018)
2.3 Global Stock Music Price (USD/Unit) by Players (2017-2018)
2.4 Global Stock Music Gross Margin by Players (2017-2018)

3 Global Stock Music Competitions by Types
3.1 Global Stock Music Sales (Unit) and Market Share (%) by Types
3.2 Global Stock Music Revenue (Million USD) and Share by Type (2013-2018)
3.3 Global Stock Music Price (USD/Unit) by Type (2013-2018)
3.4 Global Stock Music Gross Margin by Type (2013-2018)
3.5 USA Stock Music Sales (Unit) and Market Share (%) by Type
3.6 China Stock Music Sales (Unit) and Market Share (%) by Type
3.7 Europe Stock Music Sales (Unit) and Market Share (%) by Type
3.8 Japan Stock Music Sales (Unit) and Market Share (%) by Type
3.9 India Stock Music Sales (Unit) and Market Share (%) by Type
3.10 Southeast Asia Stock Music Sales (Unit) and Market Share (%) by Type
3.11 South America Stock Music Sales (Unit) and Market Share (%) by Type
3.12 South Africa Stock Music Sales (Unit) and Market Share (%) by Type

4 Global Stock Music Competitions by Applications
4.1 Global Stock Music Sales (Unit) and Market Share (%) by Applications
4.2 Global Stock Music Revenue (Million USD) and Share by Applications (2013-2018)
4.3 Global Stock Music Price (USD/Unit) by Applications (2013-2018)
4.4 Global Stock Music Gross Margin by Applications (2013-2018)
4.5 USA Stock Music Sales (Unit) and Market Share (%) by Applications
4.6 China Stock Music Sales (Unit) and Market Share (%) by Applications
4.7 Europe Stock Music Sales (Unit) and Market Share (%) by Applications
4.8 Japan Stock Music Sales (Unit) and Market Share (%) by Applications
4.9 India Stock Music Sales (Unit) and Market Share (%) by Applications
4.10 Southeast Asia Stock Music Sales (Unit) and Market Share (%) by Applications
4.11 South America Stock Music Sales (Unit) and Market Share (%) by Applications
4.12 South Africa Stock Music Sales (Unit) and Market Share (%) by Applications

5 Global Stock Music Production Market Analysis by Regions
5.1 Global Stock Music Production (Unit) and Market Share (%) by Regions
5.1.1 USA Stock Music Market Production Present Situation Analysis
5.1.2 Europe Stock Music Market Production Present Situation Analysis
5.1.3 China Stock Music Market Production Present Situation Analysis
5.1.4 Japan Stock Music Market Production Present Situation Analysis
5.1.5 India Stock Music Market Production Present Situation Analysis
5.1.6 Southeast Asia Stock Music Market Production Present Situation Analysis
5.1.7 South America Stock Music Market Production Present Situation Analysis
5.1.8 South Africa Stock Music Market Production Present Situation Analysis
5.2 Global Stock Music Production Value (Million USD) and Share by Region (2013-2018)
5.3 Global Stock Music Price (USD/Unit) by Region (2013-2018)
5.4 Global Stock Music Gross Margin by Region (2013-2018)

6 Global Stock Music Sales Market Analysis by Region
6.1 USA Stock Music Market Consumption Present Situation Analysis
6.2 Europe Stock Music Market Consumption Present Situation Analysis
6.3 China Stock Music Market Consumption Present Situation Analysis
6.4 Japan Stock Music Market Consumption Present Situation Analysis
6.5 India Stock Music Market Consumption Present Situation Analysis
6.6 Southeast Asia Stock Music Market Consumption Present Situation Analysis
6.7 South America Stock Music Market Consumption Present Situation Analysis
6.8 South Africa Stock Music Market Consumption Present Situation Analysis

……Continued

Access Complete Report @ https://www.wiseguyreports.com/reports/3127879-2018-global-stock-music-industry-depth-research-report

Norah Trent
wiseguyreports
+1 646 845 9349 / +44 208 133 9349
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Source: EIN Presswire

BET AWARDS 2018 OFFICIAL NOMINEES TICKETS DATE LA

DJ KHALED TOPS WITH SIX NOMINATIONS WHILE KENDRICK LAMAR TAKES FIVE, FOLLOWED BY MIGOS AND SZA WITH FOUR

LA, CALIF, US, May 21, 2018 /EINPresswire.com/ — BET AWARDS 2018 TO AIR LIVE ON SUNDAY, JUNE 24th FROM MICROSOFT THEATER IN LOS ANGELES AT 8 P.M. ET

BET Networks recognizes artists, entertainers, and athletes across over 19 categories with the “BET Awards” 2018 nominations. The nominations are selected by BET’s Voting Academy, which is comprised of fans and an esteemed group of entertainment professionals in the fields of television, film, music, social media, digital marketing, sports journalism, public relations, and creative arts.

DJ Khaleddominates this year’s nominations with a total of 6 including ‘Video of the Year,’ two for ‘Best Collaboration,’ with Rihanna and Bryson Tiller for ‘Wild Thoughts,’ and with Jay-Z, Future and Beyoncé for ‘Top Off,’ ‘Album of the Year,’ and ‘Coca-Cola Viewer’s Choice.’ Kendrick Lamar follows with five nods including ‘Best Collaboration,’ with Rihanna for ‘Loyalty.,’ ‘Video of the Year,’ ‘Album of the Year,’ and ‘Coca-Cola Viewers’ Choice.’ Other leading nominees include Migos, nominated for four awards including ‘Best Group,’ and ‘Album of the Year,” and SZA, also nominated for four awards, including ‘Best Female R&B/Pop Artist’ and ‘Best New Artist.’

The BET Awards 2018 will premiere around the world on BET’s international networks. It will air in the UK on June 26th at 9:00 PM BST, in Africa on June 26th at 8:00 PM CAT, in France on June 26th at 9:00 PM CEST and in South Korea on June 26th at 9:00 PM KST. Internationally, fans in 100 countries can also stream the “BET Awards” 2018 live with BET Play, BET International’s subscription video on demand application.

The iOS and Android app, which also features current and classic BET television series, documentaries, stand-up comedy and legendary musical performances, will carry a live feed of the red carpet and the Awards, and is available for download now in the iTunes and Google Play stores for $3.99 a month following a seven-day free trial.

The “BET Awards” 2018 will take place along with the BET Experience at L.A. LIVE in Los Angeles from June 21-24, 2018. BET.com/betawards is the official site for the “BET Awards” and will have all the latest news and updates about this year’s show.

VIP Packages for the 6thyear of the BET Experience weekend are better than ever and now on-sale. In addition to VIP amenities throughout the weekend and incredible seats for STAPLES Center shows, all levels of BETX VIP Packages offer guests the only opportunity to purchase tickets to the highly-anticipated BET Awards, broadcast live from Microsoft Theater.

Full package amenities and pricing for the Diamond, Platinum, Gold Plus and Gold VIP Packages can be found by visiting BETExperience.com or by calling (877) 234-8425.

General tickets for the BET Experience at L.A. LIVE presented by Coca-Cola® are on sale now at http://www.axs.com/betexperience.

The complete list of nominees for the BET Awards 2018 (Click Link) https://rawdoggtv.com/bet-awards-2018-official-nominees-la/ | FOLLOW BET: TWITTER #BETAwards

Gerald
PR MobileWire
(305) 490-2182
email us here


Source: EIN Presswire

American Idol's Jessica Meuse Is Halfhearted On New Album

Jessica Meuse

Jessica Meuse – Halfhearted

Jessica Meuse announces August 3rd full-length album release.

Halfhearted is my first major release since my time on American Idol, and the album truly embodies who I am as a singer, writer, and musician.”

— Jessica Meuse

LOS ANGELES, CA, USA, May 21, 2018 /EINPresswire.com/ — American Idol’s Jessica Meuse will have her first full-length album released on August 3rd via Warrior Records/eOne. Penned by Meuse, the 15-song “Halfhearted” album is a retrospect of her life, loves, and breakups, which is aptly being released to coincide with National Girlfriend Day.

“I am thrilled to release my debut album, ‘Halfhearted!’ It’s my first major release since my time on American Idol, and it truly embodies who I am as a singer, writer, and musician,” commented Meuse. “My dedicated fans have been waiting for a while, and I’m happy to say the wait is going to be completely worth it! This is my best work yet, and I hope everyone loves it as much as I loved creating it. This is only the beginning!”

Jessica’s song, "Love Her Better," has risen for 14 weeks up to #2 currently on The Iceman's Top 40 New Country Artist Chart and is also #1 this week on the Euro Academy of Country Music Chart, with over 100k views of the music video on YouTube. The track will become available June 1st, along with the album preorder, on all retail outlets. Subsequent songs from “Halfhearted” will also become available on June 15th (“High”), June 29th (“California Dream”), and July 13th (“Thank God It Didn’t Work”), with the full album releasing on August 3rd.

Thematically, Meuse’s collection of songs delves into the heartfelt dedication that has always driven her to succeed. “The album is titled, ‘Halfhearted,’ which can be interpreted in several ways — which was also my intent,” said Jessica. “Beauty is in the eye of the beholder, and I want people to take ‘Halfhearted’ and the songs on it on a soul-to-soul level. I want my fans to connect with each tune personally and, hopefully, it’ll help them in some way and ultimately bring joy. For me, ‘Halfhearted’ is about the duality of everything, from the macrocosmic concept of good versus evil to the darkness and light within each and every one of us. It’s about taking the two extremes, finding a balance, and living your best life, even when we’re dealt a bad hand and embracing trials and hardships, because they are a part of something much, much bigger.”

The album also features a guest appearance duet by friend and fellow American Idol alumni, Bo Bice, on Jessica’s composition, “Without You.” As a songwriter, she has honed her craft, since being a teenager. Commercially, Meuse became the first person in the history of American Idol to perform her own original song, “Blue-Eyed Lie,” during the show’s finals. When Jessica set out to assemble this project, it was important to her to ensure that her story was fully represented in the writing on “Halfhearted.”

“I wrote most of these songs after Idol, and they are a direct reflection of everything I have gone through emotionally and mentally in the time that’s followed,” relates Meuse. “It means the world to me to be a songwriter and be able to take a thought — a simple line or even just a word — and turn it into something real. A lot of the songs on “Halfhearted” came to me like a slap in the face. They just happened. Music has always been a therapeutic and healing power for me, so writing this album was what has held me together. It’s my heart and soul opened up for the world to see.”

The past year has been a busy one for Jessica with the new album production, increased touring, a 2017 Female Vocalist of the Year Nomination (Texas Country Music Awards), and 2018 Best Female Vocalist Finalist (14th Annual International Acoustic Music Awards). The summer will see Meuse in concert at various festivals and an extensive radio tour through the fall, beginning Memorial Day Weekend with a May 27th performance at Brat Fest in Madison, WI, where she and her band go on before Black Stone Cherry. For more information, visit www.JessicaMeuse.com.

# # #

For Jessica Meuse interviews contact:
Jim Ervin
Manager | L.A. Entertainment, Inc.
(800) 579-9157 (Extension 707)
jimmy@jessicameuse.com

Jessica Meuse:
• Press Photos – http://warr.link/jm-hires
• Instagram – https://www.instagram.com/jessmeuse/
• Facebook – https://www.facebook.com/idoljessicameuse
• Twitter – https://twitter.com/JessMeuse
• YouTube – https://www.youtube.com/user/musikchik
• Website – https://jessicameuse.com

About Jessica Meuse:
Jessica Meuse is an American performer from Slapout, Alabama. She has wowed audiences since the age of 10 and plays several instruments (guitar, piano, and classical violin). At 20, Jessica won the statewide artist showcase, Stars of Alabama. A spot on Season 3 of NBC’s The Voice followed, where she made it to the blind auditions and was on Vans Warped Tour. In 2014, Jessica was selected by American Idol’s Keith Urban, Jennifer Lopez, and Harry Connick, Jr., for Season 13 of the TV series where she rose to be a Top 4 National Finalist, subsequently touring across the USA and Canada. Currently, Jessica is signed to L.A. Entertainment, Inc.’s management division, LA Group Management, and she dedicates time to raising awareness about Domestic Violence, Cyberbullying, Children’s Cancer Association, St. Jude, and other organizations, while continuing to record and tour.

About L.A. Entertainment, Inc.:
L.A. Entertainment, Inc. is a California based entertainment corporation, with businesses including, Warrior Records, whose products are distributed via eOne Distribution, LA Group Management, publishing divisions that administrate a wide range of copyrights, a music supervision firm specializing in motion picture and television soundtracks, and L.A. Entertainment Merchandise, providing merchandise and VIP services to touring artists.

Rebecca Roe
Warrior Records | L.A. Entertainment Group
800-579-9157 (Ext. 707)
email us here


Source: EIN Presswire