The launch of the exclusive Marquis Jetset Concierge

Marquis Jetset Concierge

On Demand charter

Taking private jet charter to new heights with personalized services to private aviation

LOS ANGELES, CA, USA, February 19, 2018 /EINPresswire.com/ — PRESS RELEASE

Contact: Marquis Jetset Concierge

Website:https://www.marquisjetset.com/

Phone Number: 8002107772

Email:ric@marquisjetset.com
For Immediate Release

Marquis Jetset Concierge Offers the Authentic Jetset Experience with Exclusive Concierge Services
“Marquis Jetset, the provider of concierge services worldwide, offers bespoke curated travel arrangements exclusively to its private aviation clients!”

Los Angeles, CA – February 13, 2018 – Marquis Jetset, a premier provider of luxury lifestyle management & concierge services, offers a private membership exclusively for their discerning jetset clients. Both the owners of private jets and the avid jetset travelers who love the flexibility of ‘on demand charter” services known to many as “pay to fly” can take advantage of this membership.
The company says, “Marquis Membership is an extension to the current business model of on-demand charter but takes the luxury a leap forward by offering world-class lifestyle management services.”
The company’s super elite team of trained travel advisors, who have acquired sufficient round-the-globe travel experiences, handle every facet of this service. From handling private jet arrangements to offering bespoke travel itineraries, recommendations and bookings for luxury hotels and restaurants, priority access to pubs, bars, nightclubs, events and more, they skillfully curate customized lifestyle experiences for the clients.
“We have created programs that are personally curated to provide the kind of experience people are looking for. We do this by planning, researching and developing curated travel experiences”, says the company.
One of the several challenges faced by the travelers is that their journey is often fragmented. From booking a private charter to searching for hotels, restaurants, pubs and more in a given city, it’s pretty tough to keep the travel spirit up amidst all these hassles. By combining the luxuriant private jet experience with concierge services, Marquis Jestset aims to make the journey of their clients as stress-free as possible.
According to a Company Senior Lifestyle Advisor, “As a marquis member, private jet travelers can enjoy exclusive jetset lifestyle privileges and make their journey more pleasurable.”
In order to offer its clients the best-in-class private jet experience, the company has partnered with a leading charter company that provides the premium aircrafts with the highest safety rating. Marquis Jetset has also collaborated with one of the most exclusive and luxury resorts, hotels, and private villas around the world that cater to the jetset clients holding this exclusive membership. In addition to that, the clients also get the privilege to enjoy a private arrangement in hard to score restaurants, private membership clubs and more.
With all these perks, Marquis Jetset is truly the only bespoke private jet concierge service provider. The idea to personalize the overall travel experience of jetset clients is certainly one of the most exciting new arrivals in the private aviation industry.
Currently, the exclusive access to Marquis Membership is available by invite only and the company is not charging anything for it. This means the members can enjoy all these elite benefits and indulge in the experience to build a solid and loyal relationship of a lifetime at no additional cost.

The company says, “This exclusivity is because we prefer quality clients who can benefit from our catered services and extended network, and obtain access to luxury voyages. Moreover, it will allow us to cater the needs of our members far better than catering a large group of members at the same time.”
You can learn more about the company’s services and get a quote on your next private charter by visiting https://www.marquisjetset.com/. For direct booking, you can also visit www.flymarquis.com.

About Marquis: Marquis Jetset provides a superior solution for travelers looking for a luxurious, on-demand private jet charter experience and premium concierge services. By combining private aviation with bespoke concierge experience, the company aims at simplifying and enriching the travel experiences of clients. Marquis Jetset has partnered with various aviation firms to bring the best premium quality aircrafts to the clients. It has also collaborated with luxury, high-end restaurants, hotels, bars and pubs to offer customized concierge assistance.

For more information about, visit the website: https://www.marquisjetset.com/.

Ric Davis
Marquis Jetset
8002107772
email us here


Source: EIN Presswire

Afrobeat Artist Ziggee Boy Enjoys Increasing Success of His Dancehall Hit “Bad Gyal”

Photo by Derrel Todd

Photo by Derrel Todd

Designed by Eddie Harris

He’s a music mega talent: Songwriter, Artist, Producer, and Engineer

Ziggee Boy has a unique, signature sound and, creatively, he has a lot to offer the world in the Afrobeat, Dancehall, Afropop music space.”

— Art Powell, co-CEO, Sky's the Limit Entertainment, LLC

WASHINGTON, DC, UNITED STATES, February 19, 2018 /EINPresswire.com/ — Growing up in the West African country Sierra Leone and moving to the United States as a 16-year-old in 2010, Mohamed Kamara dreamed of success in the music industry. After years of honing his artistic abilities as the Afrobeat songwriter/artist Ziggee Boy (IG: @ziggeeb) and music producer/engineer K1ng W1n, Kamara’s dream is turning into reality with the success of his debut single “Bad Gyal.” Sky’s the Limit Entertainment (STLE, IG: @skysthelimitent) released Bad Gyal, distributed by Tuff Gong International in December 2017, and the song’s official video in January 2018, and fans have been showing their appreciation for Ziggee Boy as the latest Afrobeat sensation ever since. The song and its video, that features STLE’s Billboard charting Pop singer/songwriter Eddie Jones (IG: @Justeddiejones), has earned thousands of digital streams and more than 60 thousand YouTube views to date.

Bad Gyal co-producer Art The Great (IG: @artthegreat_), who’s also Sky’s the Limit Entertainment co-CEO (Art Powell), anticipates continued and massive success for Ziggee Boy. “Ziggee Boy has a unique, signature sound and, creatively, he has a lot to offer the world in the Afrobeat, Dancehall, Afropop music space. He is immensely talented and soon will be known as one of the most celebrated writers, artists, and producers of his genre,” said Powell.

Bad Gyal is available on Spotify, iTunes, TIDAL, Amazon, and other major digital music platforms.

Stephanie Powell
ASP Management/Sky's the Limit Entertainment
301-592-1454
email us here

Bad Gyal Official Music Video with Ziggee Boy, featuring Eddie Jones


Source: EIN Presswire

Midwinter Fest in New York City – Sunday, February 25 @ 3 PM

NorSou Artists Feb 25

The North/South Chamber Orchestra celebrates winter with a free admission concert featuring music by Josh Henderson, Ching-Chu Hu, Max Lifchitz & David Maves

Max Lifchitz led his North/South players at Christ and St. Stephen's Church in a program of four imaginative recent works. Each piece had something to draw the listener in.”

— New York Times

NEW YORK, NY, USA, February 19, 2018 /EINPresswire.com/ — The North/South Chamber Orchestra celebrates winter on Sunday afternoon February 25 performing a free-admission concert featuring four listener-friendly works by American composers.

Soprano Elizabeth Farnum will appear as soloist while Max Lifchitz – the ensemble's founder – will be on the podium.

The program will feature recent compositions by Josh Henderson, Ching-Chu Hu, Max Lifchitz and David Maves.

The event is part of the Composers Now Festival. It will take place at the intimate and acoustically superior auditorium of Christ & St Stephen's Church (120 West 69th Street) on Manhattan's Upper West Side. The free-admission event will start at 3 PM and end around 4:30 PM. The auditorium is ADA accessible. No tickets or reservations needed.

The composers will be in attendance and will introduce their works to the audience. Composers and performers are available for interviews and media events. They may be contacted through our office.

Since its inception in 1980, the North/South Consonance, Inc. has brought to the attention of the New York City public over 1,000 works by composers hailing from the Americas and elsewhere representing a wide spectrum of aesthetic views.

In addition to presenting a yearly concert series in New York City the North/South Chamber Orchestra maintains an active recording schedule. Its activities are made possible in part, with public funds from the New York State Council on the Arts and the New York City Department of Cultural Affairs; Women's Philharmonic Advocacy; the Music Performance Trust Fund; and the generosity of numerous individual donors.

ABOUT THE COMPOSERS AND THEIR MUSIC

Josh Henderson is a multi-faceted artist active as cross-genre violinist, and composer. A graduate of the Cincinnati Conservatory he has composed music for various chamber ensembles as well as for dance and film. He has also served as music director for Damien Escobar (the Emmy winner of Nuttin' But Stringz) and has performed at a number of events across the globe including a performance at the 2013 Hip-Hop Inaugural Ball hosted by Russell Simmons and honoring Barack Obama.

Henderson states that his Dragon Dance is a "showpiece for string orchestra that incorporates funky jams providing the performers with ample opportunity to showcase their virtuosity."

An Iowa City native, Chung-Chu Hu studied at Yale and the University of Michigan and now teaches at Denison University. The press has described his music as "breathtaking, richly textured with incredible tender luminous harmonies." He has written music for several short award-winning films including a soundtrack to Charlie Chaplin's 1925 version of The Gold Rush for symphony orchestra.

Hu explains that "as an Asian-American composer, music of both my cultures are present in Spheres of Influence. The work begins with an anticipatory fanfare growing organically out of a single pitch. The middle section features longing melodies on various instruments representing the eventual parting between a parent and a child. The third section is relaxed, showing the need to "let go" and trust the impact of our influence."

A dynamic figure in America's musical life, Max Lifchitz was born in Mexico City and has lived in New York since 1966. Active as composer, pianist and conductor, he was awarded first prize in the 1976 International Gaudeamus Competition for Performers of Twentieth Century Music held in Holland. The San Francisco Chronicle described him as "a stunning, ultra-sensitive pianist" while The New York Times praised Mr. Lifchitz for his "clean, measured and sensitive performances." The American Record Guide referred to him as "…one of America's finest exponents of contemporary piano music."

Lifchitz's Brightness Aloft is based on the lilting melody Xicochi Conetzintle — the theme of a 17th century motet written by Gaspar Fernandez in Mexico. A beautiful villancico (or Christmas Carol), the text of the motet is in Nahuatl, the language of the Aztecs. A lullaby, its title can be translated as "Sleep, O my Child" obviously referring to baby Jesus.

David Maves served as Composer-in-Residence for the College of Charleston in South Carolina, for over 30 years. His catalogue includes symphonies, concertos and an opera based on Federico GarcÍa Lorca's Bodas de Sangre (Blood Weddings).

His song cycle The Captive was inspired by John Donne's poem Lovers' Infiniteness. Maves states that the work is envisioned as "….the poet's lover reading the poem aloud with wonder; in awe, deeply moved, and yet perhaps a bit frustrated as conditions pile up as the poet attempts to construct an imaginary but air-tight intellectual edifice within which the lovers are inextricably bound to each other — forever."

Soprano Elizabeth Farnum will appear as soloist for this work. She has been praised for her "lovely soaring soprano, great agility and beautiful tone." She has performed at Lincoln Center, the Library of Congress, London's Institute for Contemporary Art, the American Academy at Rome and the Concertgebouw in Amsterdam. Her various interests have led her to performances on Broadway, at the Metropolitan Opera, and to five continents on tour with diverse ensembles, including early music groups Pomerium and the Waverly Consort.

For the complete Winter/Spring concert series schedule please visit

http://www.northsouthmusic.org/calendar.asp

To stream, download and/or purchase the more than 60 compact discs released by the
North/South Recordings label
please go to

North/South Recordings – http://www.arkivmusic.com/classical/Label?&label_id=1297

Max Lifchitz
North/South Consonance, Inc
518-852-6100
email us here

The North/South Chamber Orchestra plays Maves’ No Nonet


Source: EIN Presswire

Music Recording Market 2018- Global Industry Analysis, By Key Players, Segmentation, Trends And Forecast By 2023

Music Recording – Global Market Demand, Growth, Opportunities, Manufacturers, Analysis of Top Key Players and Forecast to 2023

PUNE, MAHARASHTRA, INDIA, February 19, 2018 /EINPresswire.com/ — Music Recording Market 2018   

Description: 

Music Recording Market Global Report 2018 from The Business Research Company provides the strategists, marketers and senior management with the critical information they need to assess the global music recording market.

Description: 
Where is the largest and fastest growing market for the music recording? How does the market relate to the overall economy, demography and other similar markets? What forces will shape the market going forward? The music recording market global report from the Business Research Company answers all these questions and many more. 
The report covers market characteristics, size and growth, segmentation, regional and country breakdowns, competitive landscape, market shares, trends and strategies for this market. It traces the market’s historic and forecast market growth by geography. It places the market within the context of the wider Media market, and compares it with other markets. 
• The market characteristics section of the report defines and explains the market. 
• The market size section gives the market size ($b) covering both the historic growth of the market and forecasting the future. Drivers and restraints looks at the external factors supporting and controlling the growth of the market. 
• Market segmentations break down market into sub markets. 
• The regional and country breakdowns section gives an analysis of the market in each geography and the size of the market by geography and compares their historic and forecast growth. It covers all the regions, key developed countries and major emerging markets. It draws comparisons with country populations and economies to understand the importance of the market by country and how this is changing. 
• Competitive landscape gives a description of the competitive nature of the market, market shares, and a description of the leading companies. Key financial deals which have shaped the market in recent years are identified. 
• The trends and strategies section highlights the likely future developments in the market and suggests approaches companies can take to exploit this. 
• The music recording market section of the report gives context. It compares the music recording market with other segments of the Media market by size and growth, historic and forecast. It analyses Expenditure Per Capita, The Music Recording Indicators Comparison.

Request for Sample Report@ https://www.wiseguyreports.com/sample-request/2947581-music-recording-global-market-report-2018-including-film-and-video       

Scope:

Markets Covered: Film And Video; Music Recording

Companies Mentioned: Universal Music Group, Sony Music, Warner Music

Countries: Brazil, China, France, Germany, India, Italy, Japan, Spain, Russia, UK, USA and Australia.

Regions: Asia-Pacific, Western Europe, Eastern Europe, North America, South America, Middle East And Africa

Time series: Five years historic and forecast.

Data: Ratios of market size and growth to related markets, GDP, Expenditure Per Capita, The Music Recording Indicators Comparison. 

Data segmentations: country and regional historic and forecast data, market share of competitors, market segments.

Sourcing and Referencing: Data and analysis throughout the report is sourced using end notes.

Complete report details @ https://www.wiseguyreports.com/reports/2947581-music-recording-global-market-report-2018-including-film-and-video

If you have any special requirements, please let us know and we will offer you the report as you want.

Table of Contents:

1. Music Recording Market Characteristics

2. Music Recording Market Size And Growth 
    2.1. Historic Market Growth, Value ($ Billion) 
      2.1.1. Drivers Of The Market 
      2.1.2. Restraints On The Market 
    2.2. Forecast Market Growth, Value ($ Billion) 
      2.2.1. Drivers Of The Market 
      2.2.2. Restraints On The Market;

3. Music Recording Trends And Strategies;

4. Pestle Analysis 
    4.1. Political 
    4.2. Economic 
    4.3. Social 
    4.4. Technological 
    4.5. Legal 
    4.6. Environmental;

5. Music Recording Market Customer Information;

6. Music Recording Market Regional And Country Analysis 
    6.1. Global Music Recording Market, 2017, By Region, Value ($ Billion) 
    6.2. Global Music Recording Market, 2013 – 2021, Historic And Forecast, By Region 
    6.3. Global Music Recording Market, Growth And Market Share Comparison, By Region 
    6.4. Global Music Recording Market, 2017, By Country, Value ($ Billion) 
    6.5. Global Music Recording Market, 2013 – 2021, Historic And Forecast, By Country 
    6.6. Global Music Recording Market, Growth And Market Share Comparison, By Country

7. Music Recording Market Segmentation 
    7.1. Global Music Recording Market, 2017, Segmentation By Type, Value ($ Billion) 
Record Production 
Music Publishers 
Record Distribution 
Sound Recording Studios 
    7.2. Global Music Recording Market, 2013 – 2021, Historic And Forecast, Segmentation By Type, Value ($ Billion)

…….

Music Recording Market Competitive Landscape 
19.1. Company Profiles 
19.2. Universal Music Group 
      19.2.1. Overview 
      19.2.2. Products And Services 
      19.2.3. Strategy 
      19.2.4. Financial Performance 
    19.3. Sony Music 
      19.3.1. Overview 
      19.3.2. Products And Services 
      19.3.3. Strategy 
      19.3.4. Financial Performance 
    19.4. Warner Music 
      19.4.1. Overview 
      19.4.2. Products And Services 
      19.4.3. Strategy 
      19.4.4. Financial Performance
…….

Reasons to Purchase:

Reasons to Purchase: 
• Outperform competitors using accurate up to date demand-side dynamics information. 
• Identify growth segments for investment. 
• Facilitate decision making on the basis of historic and forecast data and the drivers and restraints on the market. 
• Create regional and country strategies on the basis of local data and analysis. 
• Stay abreast of the latest customer and market research findings 
• Benchmark performance against key competitors. 
• Develop strategies based on likely future developments. 
• Utilize the relationships between key data sets for superior strategizing. 
• Suitable for supporting your internal and external presentations with reliable high quality data and analysis 
• Gain a global perspective on the development of the market. 
• Report will be updated with the latest data and delivered to you within 3-5 working days of order.

Continued…..

Norah Trent
WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Vice President Mike Pence's Christian Faith Attacked–Country Star Michael Shawn Hartman Speaks Out

Vice President Mike Pence and Second Lady Karen Sue Pence depart Air Force One.

Image: Michael Shawn Hartman. Photo Credit: Michael Sargent.

Michael Shawn Hartman’s “Faith Freedom Country” T-Shirt

Vice President Mike Pence's Christian Faith Attacked on The View. Country Star Michael Shawn Hartman Condemns Bigotry–Releases New Tribute to USA

Is Joy Bahar going to 'joke' about Islam? I doubt it. She knows–like most do, that most Christians are good, peaceful people, and a safe target for abuse. This needs to stop.”

— Michael Shawn Hartman

MALIBU, CALFORNIA, USA, February 18, 2018 /EINPresswire.com/ — Vice President Mike Pence's Christian faith was reportedly attacked by Joy Behar and Omarosa Newman on the TV show 'The View' this week. On 'The View,' on ABC, Behar suggested that Vice President Mike Pence has a mental illness because he feels that–according to Omarosa–Jesus tells him what to say. Behar, who calls herself a Christian, reportedly compared such a religious belief to schizophrenia. Bahar later claimed to be joking, although she reportedly didn't sound like it at the time to many.

Country star Michael Shawn Hartman says about the matter, "It sounds to me like the classic verbal abuse tactic of–I'm going to ridicule you, and not just ridicule you, but do so in public, and then say–haha! Just kidding. It's a way to try avoid responsibility for one's actions." Michael adds, "Is Joy Behar going to 'joke' about Islam? I doubt it. She knows–like most do, that most Christians are good, peaceful people, and a safe target for abuse. This needs to stop."

In other recent news, U.S. skier Lindsey Vonn recently failed to win any medals in the 2018 Olympics, and many of her critics laughed at her, blaming her karma for reportedly attacking President Trump just two months earlier. Some reportedly tweeted that they had wished she would get hurt. The hatred throughout America and the world between both sides of the political spectrum is undoubtedly, very high.

Michael Shawn Hartman states the he has released a new song, for this very reason, titled "We Are American's." The song is a tribute to America, and also supports Michael Shawn Hartman's fan club and his organization called "Faith, Freedom, Country." The fan club and organization, the singer says, shares the simple goal of promoting country music, healing the national divide, and promoting positive messages for America and all American's in general." Country music makes me happy when I hear it. It makes me feel good. I want to do the same for people. I want to make people happy and feel good with my music, and I want to spread the message of happiness and love for all of our neighbors–not hatred."

Country singer Michael Shawn Hartman has released "We Are American's" as a tribute to the victims, and ultimately, as a tribute to America and the soldiers who have fought to defend our borders throughout history. The Hollywood Sentinel stated earlier this week that Michael Shawn Hartman consistently delivers really great songs that are always very memorable. "We Are American's" should be played at the White House, Hollywood Sentinel's Bruce Edwin states. It's a beautiful ballad, and–even if you hate this great country, you have to admit that."

Listen to the new single and more of the highly acclaimed singer and songwriter here below.

https://www.youtube.com/watch?v=UOrBLaidFlA

ABOUT MICHAEL SHAWN HARTMAN

Recently named "The Next Johnny Cash," country star Michael Shawn Hartman was heard recently in the media (FOX NEWS), suggesting that America's self-esteem had been damaged by criticizing America, political party members, and our U.S. President, and hopes to help fix that. He stunningly learned to play over 500 songs, and as a "masterful songwriter" (www.HOLLYWOODSENTINEL.com) has written nearly 100 new songs, with several of his newly released tracks, now on his website found below, being called "brilliant" by press. According to a report on ABC news, Michael Shawn Hartman started his organization FAITH, FREEDOM, COUNTRY; to help advance positive messages in country music, and help stop hatred. The singer now even has Official T-shirts, celebrating just that, found at his website below, for fans.
While other classmates were busy collecting bugs and baseball cards, a young Michael Shawn was busy jamming. The singer, songwriter, and guitarist, who Hollywood Sentinel hails as “The next Johnny Cash,” began playing guitar at the young age of nine years old.

Having learned how to play five-hundred songs in the band “Step In Country,” Michael was later invited to play a benefit concert back in 2010, and by this time had written sixty-five songs of his own. He later called up his old bass player, and the rest is history. Living just an hour drive from Niagara Falls, Michael Shawn was raised in the country – and raised on country. Citing greats including; Elvis, Johnny Cash, Willie Nelson, George Strait, Dolly Parton, and Merle Haggard among some of his favorite singers and influences, Michael Shawn’s roots go deep, and one can hear his genuine soul and power in each song.

When asked what his life philosophy is, Michael admits, “My philosophy is don’t take advantage of people, and be comfortable with everything around me. I try be the fairest I can to everybody.” He adds, “Country music makes me happy when I hear it. It makes me feel good. I want to do the same for people. I want to make people happy and feel good with my music!”

Michael Shawn Hartman will be performing at the Keenan Center in Lockport, New York, for the Circus there on February 23th and 24th. Visit: http://kenancenter.org/calendar-2/ for further information.

Press, Media, and Booking of Michael Shawn Hartman, contact: 310-226-7176.

Bruce Edwin
Hollywood Sentinel Public Relations
011-310-226-7176
email us here

Michael Shawn Hartman: We Are American’s


Source: EIN Presswire

Two Hearts One Grand concerts series in San Diego, Los Angeles with Lynn Yew Evers, Radmila Neal and Heidi Breyer

Piano concerts with original compositions from new and older albums

SAN DIEGO, LOS ANGELES, CA, USA, February 17, 2018 /EINPresswire.com/ — For the Love of Piano…
Two Hearts, One Grand!

SPOKANE, WASHINGTON, USA, February 17, 2018. For nearly a decade, multi-award winning pianist Lynn Yew Evers
has been sharing her musical gifts – as teacher, composer, soloist and collaborator – with her growing family of friends
and fans. Her music charts her journey, from growing up in Malaysia to beginning a new life of hope in America.
Drawing upon her classical training, and refined sense of melody, Lynn Yew Evers has earned her the praise and
admiration of her peers; Grammy-Award Winning guitarist and producer Will Ackerman writes: "Her music is like a walk
through the most beautiful garden you’ve ever imagined; her compositions imbued with profound emotion and grace.”

For Lynn, making music with others comes as naturally as breathing, and in 2012 as she was preparing for the release of her
new CD, "Dawn of Peace", an idea took root in Lynn's heart: to bring together other like-minded artists and present a shared
concert of contemporary piano music. From this inspiration Two Hearts, One Grand! became a beautiful reality!

For her new series, Lynn will be performing with two extraordinary artists, Radmilla Neal and Heidi Breyer. The tour kicks
off on March 2nd, 2018, when Lynn will be joined by Radmilla Neal for a pair of concerts in Encinitas and Pacific Beach.
Classically trained as a pianist, Ms. Neal is also an accomplished composer, arranger, teacher and accompanist. In demand
as a performer, her artistry is praised for its expressive elegance and evocation of classical sophistication and grace.

On March 16, 17 and 18, Lynn meets up with multi-ZMR Award Winning artist Heidi Breyer. A master tone poet, and musical
story teller, Ms. Breyer's artistry embraces a wide range of collaborative projects with other artists and ensemble as well as
multi-media and film.

You will not want to miss Two Hearts, One Grand! Hearing these gifted women in performance together with enchant,
inspire and uplift you!

March 2nd 2018 Friday
Two Hearts One Grand concert series with Rada Neal
Encinitas Public Library
5 – 7pm
Encinitas, CA 92023

March 3rd 2018 Saturday
Two Hearts One Grand concert series with Rada Neal
Pacific Beach Public Library
4 – 6pm
Pacific Beach, CA 92109

Tickets available at: www.eventbrite.com

March 16th 2018 Friday
Two Hearts One Grand concert series with Heidi Breyer
The Leadership Center @ Moss Theater
7 – 9pm
Santa Monica, CA 90404

March 17th 2018 Saturday
Two Hearts One Grand concert series with Heidi Breyer
Hollywood Piano Company
1 – 3pm
Burbank, CA 91501

March 18th 2018 Sunday
Two Hearts One Grand concert series with Heidi Breyer
Kim's Piano Store
1 – 3pm
Stanton, CA 90680

Tickets available at www.moonlightalbum.com

Lynn Yew Evers
Lynn's In-Concert Productions
503.805.1164
email us here


Source: EIN Presswire

Party Balloon Global Industry 2018 Sales, Supply and Consumption Forecasts to 2022

Wiseguyreports.Com Added New Market Research Report On -“Party Balloon Market 2018 Manufacturers, Applications and Future Demand Forecast to 2022”.

PUNE, INDIA, February 16, 2018 /EINPresswire.com/ —

Global Party Balloon Market

WiseGuyRerports.com Presents “Global (North America, Europe and Asia-Pacific, South America, Middle East and Africa) Party Balloon Market 2017 Forecast to 2022” New Document to its Studies Database. The Report Contain 119 Pages With Detailed Analysis.

Description

Party Balloons are air-tight bags made out of latex a light material or foil that can be inflated with air or other gas. The ordinary air, or other gases such as helium, can be forced into them for expansion purposes. Latex balloons are available in all kinds of shapes, sizes, and colors to delight children and adults at birthday parties and other festive occasions or used as a tool of advertisement.

Scope of the Report: 
This report focuses on the Party Balloon in Global Market, especially in North America, Europe and Asia-Pacific, South America, Middle East and Africa. This report categorizes the market based on manufacturers, regions, type and application.

 

Get sample Report @ https://www.wiseguyreports.com/sample-request/1019113-global-north-america-europe-and-asia-pacific-south-america-middle-east

 

Market Segment by Manufacturers, this report covers 
Gemar Balloons 
Pioneer Balloon 
Amscan 
BELBAL 
Xingcheng 
CTI Industries 
Maple City Rubber 
Colour Way 
Balonevi 
BK Latex 
Tailloon 
Guohua Latex Products 
Angkasa 
Tongle Latex Products 
Rubek Balloons 
Hengli Latex Products 
York Impex 
Jaya Latexindo Internusa

Market Segment by Regions, regional analysis covers 
North America (USA, Canada and Mexico) 
Europe (Germany, France, UK, Russia and Italy) 
Asia-Pacific (China, Japan, Korea, India and Southeast Asia) 
South America (Brazil, Argentina, Columbia etc.) 
Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

Market Segment by Type, covers 
Latex Balloons 
Foil Balloons

Market Segment by Applications, can be divided into 
Commercial 
Residential 
Others

Complete Report Details @ https://www.wiseguyreports.com/reports/1019113-global-north-america-europe-and-asia-pacific-south-america-middle-east

 

Table of Contents -Major Key Points

1 Market Overview 
1.1 Party Balloon Introduction 
1.2 Market Analysis by Type 
1.2.1 Latex Balloons 
1.2.2 Foil Balloons 
1.3 Market Analysis by Applications 
1.3.1 Commercial 
1.3.2 Residential 
1.3.3 Others 
1.4 Market Analysis by Regions 
1.4.1 North America (USA, Canada and Mexico) 
1.4.1.1 USA Market States and Outlook (2012-2022) 
1.4.1.2 Canada Market States and Outlook (2012-2022) 
1.4.1.3 Mexico Market States and Outlook (2012-2022) 
1.4.2 Europe (Germany, France, UK, Russia and Italy) 
1.4.2.1 Germany Market States and Outlook (2012-2022) 
1.4.2.2 France Market States and Outlook (2012-2022) 
1.4.2.3 UK Market States and Outlook (2012-2022) 
1.4.2.4 Russia Market States and Outlook (2012-2022) 
1.4.2.5 Italy Market States and Outlook (2012-2022) 
1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia) 
1.4.3.1 China Market States and Outlook (2012-2022) 
1.4.3.2 Japan Market States and Outlook (2012-2022) 
1.4.3.3 Korea Market States and Outlook (2012-2022) 
1.4.3.4 India Market States and Outlook (2012-2022) 
1.4.3.5 Southeast Asia Market States and Outlook (2012-2022) 
1.4.4 South America, Middle East and Africa 
1.4.4.1 Brazil Market States and Outlook (2012-2022) 
1.4.4.2 Egypt Market States and Outlook (2012-2022) 
1.4.4.3 Saudi Arabia Market States and Outlook (2012-2022) 
1.4.4.4 South Africa Market States and Outlook (2012-2022) 
1.4.4.5 Nigeria Market States and Outlook (2012-2022) 
1.5 Market Dynamics 
1.5.1 Market Opportunities 
1.5.2 Market Risk 
1.5.3 Market Driving Force 

2 Manufacturers Profiles 
2.1 Gemar Balloons 
2.1.1 Business Overview 
2.1.2 Party Balloon Type and Applications 
2.1.2.1 Type 1 
2.1.2.2 Type 2 
2.1.3 Gemar Balloons Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.2 Pioneer Balloon 
2.2.1 Business Overview 
2.2.2 Party Balloon Type and Applications 
2.2.2.1 Type 1 
2.2.2.2 Type 2 
2.2.3 Pioneer Balloon Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.3 Amscan 
2.3.1 Business Overview 
2.3.2 Party Balloon Type and Applications 
2.3.2.1 Type 1 
2.3.2.2 Type 2 
2.3.3 Amscan Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.4 BELBAL 
2.4.1 Business Overview 
2.4.2 Party Balloon Type and Applications 
2.4.2.1 Type 1 
2.4.2.2 Type 2 
2.4.3 BELBAL Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.5 Xingcheng 
2.5.1 Business Overview 
2.5.2 Party Balloon Type and Applications 
2.5.2.1 Type 1 
2.5.2.2 Type 2 
2.5.3 Xingcheng Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.6 CTI Industries 
2.6.1 Business Overview 
2.6.2 Party Balloon Type and Applications 
2.6.2.1 Type 1 
2.6.2.2 Type 2 
2.6.3 CTI Industries Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.7 Maple City Rubber 
2.7.1 Business Overview 
2.7.2 Party Balloon Type and Applications 
2.7.2.1 Type 1 
2.7.2.2 Type 2 
2.7.3 Maple City Rubber Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.8 Colour Way 
2.8.1 Business Overview 
2.8.2 Party Balloon Type and Applications 
2.8.2.1 Type 1 
2.8.2.2 Type 2 
2.8.3 Colour Way Party Balloon Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 

 ………..CONTINUED

 

Norah Trent
WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Musical Instrument Global Industry 2018 Sales, Supply and Consumption Forecasts to 2022

Wiseguyreports.Com Added New Market Research Report On -“Musical Instrument Market 2018 Manufacturers, Applications and Future Demand Forecast to 2022”.

PUNE, INDIA, February 16, 2018 /EINPresswire.com/ —

Global Musical Instrument Market

WiseGuyRerports.com Presents “Global (North America, Europe and Asia-Pacific, South America, Middle East and Africa) Musical Instrument Market 2017 Forecast to 2022” New Document to its Studies Database. The Report Contain 120 Pages With Detailed Analysis.

Description

Musical Instrument Amplifiers produces only a weak electronic signal on its own. It’s the amp's job to boost that signal in order to drive the speakers, which ultimately project the music.

Scope of the Report: 
This report focuses on the Musical Instrument in Global Market, especially in North America, Europe and Asia-Pacific, South America, Middle East and Africa. This report categorizes the market based on manufacturers, regions, type and application.

 

Get sample Report @ https://www.wiseguyreports.com/sample-request/1019110-global-north-america-europe-and-asia-pacific-south-america-middle-east

 

Market Segment by Manufacturers, this report covers 
Yamaha 
Roland 
Marshall 
Ampeg 
Blackstar 
Behringer 
Fender 
Korg 
Hughes & Kettner 
Johnson 
Orange 
Laney 
Fishman 
Rivera 
MESA/Boogie 
Acoustic 
Randall

Market Segment by Regions, regional analysis covers 
North America (USA, Canada and Mexico) 
Europe (Germany, France, UK, Russia and Italy) 
Asia-Pacific (China, Japan, Korea, India and Southeast Asia) 
South America (Brazil, Argentina, Columbia etc.) 
Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

Market Segment by Type, covers 
Guitar Amplifiers 
Keyboard Amplifiers 
Bass Amplifiers

Market Segment by Applications, can be divided into 
Electric guitar 
Electric bass 
Electric keyboards 
Others

 

Complete Report Details @ https://www.wiseguyreports.com/reports/1019110-global-north-america-europe-and-asia-pacific-south-america-middle-east

 

Table of Contents -Major Key Points

1 Market Overview 
1.1 Musical Instrument Introduction 
1.2 Market Analysis by Type 
1.2.1 Guitar Amplifiers 
1.2.2 Keyboard Amplifiers 
1.2.3 Bass Amplifiers 
1.3 Market Analysis by Applications 
1.3.1 Electric guitar 
1.3.2 Electric bass 
1.3.3 Electric keyboards 
1.3.4 Others 
1.4 Market Analysis by Regions 
1.4.1 North America (USA, Canada and Mexico) 
1.4.1.1 USA Market States and Outlook (2012-2022) 
1.4.1.2 Canada Market States and Outlook (2012-2022) 
1.4.1.3 Mexico Market States and Outlook (2012-2022) 
1.4.2 Europe (Germany, France, UK, Russia and Italy) 
1.4.2.1 Germany Market States and Outlook (2012-2022) 
1.4.2.2 France Market States and Outlook (2012-2022) 
1.4.2.3 UK Market States and Outlook (2012-2022) 
1.4.2.4 Russia Market States and Outlook (2012-2022) 
1.4.2.5 Italy Market States and Outlook (2012-2022) 
1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia) 
1.4.3.1 China Market States and Outlook (2012-2022) 
1.4.3.2 Japan Market States and Outlook (2012-2022) 
1.4.3.3 Korea Market States and Outlook (2012-2022) 
1.4.3.4 India Market States and Outlook (2012-2022) 
1.4.3.5 Southeast Asia Market States and Outlook (2012-2022) 
1.4.4 South America, Middle East and Africa 
1.4.4.1 Brazil Market States and Outlook (2012-2022) 
1.4.4.2 Egypt Market States and Outlook (2012-2022) 
1.4.4.3 Saudi Arabia Market States and Outlook (2012-2022) 
1.4.4.4 South Africa Market States and Outlook (2012-2022) 
1.4.4.5 Nigeria Market States and Outlook (2012-2022) 
1.5 Market Dynamics 
1.5.1 Market Opportunities 
1.5.2 Market Risk 
1.5.3 Market Driving Force 

2 Manufacturers Profiles 
2.1 Yamaha 
2.1.1 Business Overview 
2.1.2 Musical Instrument Type and Applications 
2.1.2.1 Type 1 
2.1.2.2 Type 2 
2.1.3 Yamaha Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.2 Roland 
2.2.1 Business Overview 
2.2.2 Musical Instrument Type and Applications 
2.2.2.1 Type 1 
2.2.2.2 Type 2 
2.2.3 Roland Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.3 Marshall 
2.3.1 Business Overview 
2.3.2 Musical Instrument Type and Applications 
2.3.2.1 Type 1 
2.3.2.2 Type 2 
2.3.3 Marshall Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.4 Ampeg 
2.4.1 Business Overview 
2.4.2 Musical Instrument Type and Applications 
2.4.2.1 Type 1 
2.4.2.2 Type 2 
2.4.3 Ampeg Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.5 Blackstar 
2.5.1 Business Overview 
2.5.2 Musical Instrument Type and Applications 
2.5.2.1 Type 1 
2.5.2.2 Type 2 
2.5.3 Blackstar Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.6 Behringer 
2.6.1 Business Overview 
2.6.2 Musical Instrument Type and Applications 
2.6.2.1 Type 1 
2.6.2.2 Type 2 
2.6.3 Behringer Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.7 Fender 
2.7.1 Business Overview 
2.7.2 Musical Instrument Type and Applications 
2.7.2.1 Type 1 
2.7.2.2 Type 2 
2.7.3 Fender Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.8 Korg 
2.8.1 Business Overview 
2.8.2 Musical Instrument Type and Applications 
2.8.2.1 Type 1 
2.8.2.2 Type 2 
2.8.3 Korg Musical Instrument Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 

 ………..CONTINUED

Norah Trent
WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

America's Wild Horses Inspire Byron Metcalf and Jennifer Grais' Epic Percussion and Voice-Driven Album THEY WERE HERE

album art image of They Were Here

They Were Here by shamanic practitioners Byron Metcalf and Jennifer Grais is an epic, sacred and emotionally evocative masterwork celebrating the grace, tenderness, and intense tribal power of America’s wild horses.

image of Byron Metcalf and Jennifer Grais

Shamanic practitioners Byron Metcalf & Jennifer Grais recording THEY WERE HERE, a hypnotic new album capturing the majesty of America’s wild horses.

Picture of wild horses running by documentary filmmaker James Anaquad Kleinert, producer-director of “Disappointment Valley: A Modern Day Western.

Wild horses running in the American West; photo by filmmaker James Anaquad Kleinert, of

New Music from the two Shamanic Practitioners Debuts High on Radio Charts, is called "Phenomenal, Primal" in early reviews, and slated for soundtrack placement.

…a unique shamanic adventure – a freedom ride of soaring potential and along the way they are held gently and safely in the arms of Mother Earth…”

— Frank Saizan Owen

PRESCOTT, AZ, USA, February 16, 2018 /EINPresswire.com/ — In what has evolved as a divinely timed collaboration of transcendent musical energies, shamanic practitioners and multi-talented artists Byron Metcalf and Jennifer Grais have joined forces to create They Were Here, an epic, sacred and emotionally evocative masterwork celebrating the grace, tenderness, and intense tribal power of America’s wild horses. They Were Here is set for worldwide release February 16, 2018 on Metcalf’s independent label, Dr. Bam’s Music.

They Were Here debuted this week at #10 on the NACC Charts, and at #6 in Journeyscapes' radio's Top 25 in January; Journeyscapes music reviewer Candice Michelle commented, “Within just the first two minutes of hearing the piece, I can tell that the rest of what lies ahead on this album is going to be phenomenal. Byron lends earthy, polyrhythmic percussion that envelops the listening space, while Jennifer’s invocation-like vocalise feels both transcendent and primal in nature – as if seemingly carried by the wind.”

They Were Here evokes the magic and majesty of our wild horses–and the bonds we share with them on various levels. While paying homage to the eternal spirit and mystical healing abilities of these treasured (but quickly disappearing) icons, the two also use what poet and friend Frank Saizan Owen calls their “unbridled sonic journey” to illuminate and discover the deeper forces behind the fascinating connection horses have with humans.

From the opening bars of the title track incorporating the sound of actual hooves on the ground amidst a hypnotic ambient soundscape through the glorious, healing elegy “Song for Solo” (reflecting on Jennifer’s recently departed white horse), They Were Here weaves a deeply-grounded yet blissfully ethereal world infused with polyrhythmic drumming, didgeridoo and orchestral synth-scapes (co-composed and arranged by 45-year Nashville studio veteran Ron Oates).

Driven by a deep sense of respect for “Horse” as healer and rhythm maker, tempered by sociological and political concerns about the ongoing extinction of mustangs from the American West, the seven-track, hour-long recording is, to quote the eloquent words of Saizan, is “a unique shamanic adventure – a freedom ride of soaring potential and along the way they are held gently and safely in the arms of Mother Earth…(with) riveting, heart-rending vocal pieces that seem, all at once, part of the ancient past of our deep ancestors and our present-day challenges on earth.”

To help facilitate the project, Byron and Jennifer conducted a successful Kickstarter campaign which raised over $17,000 (from pledged $12,000 goal). The five-minute video sharing the origin and thematic content of the project intercuts a discussion by the two artists with snippets of music from the album and beautiful, dramatic footage from documentary filmmaker James Anaquad Kleinert’s upcoming film “Disappointment Valley: A Modern Day Western” which documents the plight of wild horses, public lands and the current conflicts that will affect America’s future generations. The film will, in turn, feature selections from the album.

They Were Here marks a creative reunion that Byron had been longing for since he and Jennifer first recorded and performed with Steve Roach in 2004. The award-winning ambient electronic artist and producer invited the two to be guest performers on his album Fever Dreams II. Roach later asked them to perform with him at that year’s International Transpersonal Conference in Palm Springs. Knocked out by the singer’s achingly beautiful vocalizations, Byron – a world-renowned tribal/trance drummer – often used the track “Opening the Space” in his work as a transpersonal healer.

One of their favorite songs on the album is “Song for Solo,” the breathy, ambient and soulfully-poignant elegy to Jennifer’s longtime horse companion that continues to help her “connect to what’s important in my heart. It reminds me that despite loss, there is still magic in the world, and allows me to connect with the good things in the Universe.” The two balance the gentle grace of that piece with the hypnotic tribal intensity and soaring vocalizations of others like “Opening To Freedom” and “Run,” the expansive 14-minute journey at the core of They Were Here. This track begins with the real-life sounds of galloping horses that Byron ultimately fuses with his explosive drumming and Jennifer’s joyful, heaven sent/heaven bound vocalizations. Another track that captures the ambitious intent of the project is “Soul of Mestengo,” which is Spanish for “Mustang.” Jennifer’s vocal channeling of the ancients, combined with Byron’s deeply meditative drumming, lets our imagination run wild on the plains with these majestic creatures.

“Working closely with Byron on They Were Here was like finding a soul brother who I connect with on very deep levels and who understands my spiritual connection to horses,” Jennifer says. Byron adds, “When Jennifer steps in a studio, she owns it. It was an honor to work on this album with her. It defies categorization, it’s fresh and different and I light up every time I listen to it.”

Later this month, Metcalf is scheduled to present as part of "Power of Shamanism: An Online Summit to Partner with the Spirit World to Accelerate Healing and Transformation" a free summit beginning on February 26 and continuing through March 7, 2018. (http://affiliate.soundstrue.com/SHhW)

Learn more about the artists and their music at byronmetcalf.com and jennifergrais.com.

Music Links-
Bandcamp: byronmetcalf.bandcamp.com/album/they-were-here
iTunes: itunes.apple.com/us/album/they-were-here/1298115811
Amazon: a.co/f2nk2Bi

Contact Info-
Label: Dr. Bam’s Music, bam@byronmetcalf.com
Publicity: Beth Hilton, THE B COMPANY, +1(310) 560-8390, bethhilton@theBcompany.com
Radio Promotion: Sherry Finzer, RS Promotions, (602) 903-0348, sfinzer@rspromotionsus.com

Beth Ann Hilton
The B Company
310-560-8390
email us here

THEY WERE HERE – Byron Metcalf & Jennifer Grais – Album Sampler


Source: EIN Presswire

Musician Bone Davis Speaks Out About Sickle Cell Disease and Anemia at El Portal Theatre on Feb. 19

Bone Davis has lived with Sickle Cell Disease since birth. He is taking the stage to speak out about the blood disorder.

In association with the Educational Awareness Through Entertainment Association and Novartis, FFEG/Image Productions present the Sickle Cell Anemia Awareness Event at the El Portal Theatre on February 19 starting at 3 p.m.

DBC the Gospel Rapper has Sickle Cell Anemia. He shares the stage with Bone Davis to help bring awareness and educate the public about the disease.

Rapper KS will perform live at the Sickle Cell Anemia Awareness Event on Feb. 19 at the El Portal Theatre.

Living with Sickle Cell Disease All of His Life, Davis Launches a National Musical Tour to Educate the Public About a Devastating Blood Disorder

I realized that my voice needed to be heard especially because my peers in the entertainment industry are dying from Sickle Cell Disease, like Rapper Prodigy, just last year.”

— Bone Davis, a long-time survivor or Sickle Cell Disease.

LOS ANGELES, CALIFORNIA, USA, February 15, 2018 /EINPresswire.com/ — Musician Bone Davis has played with legends and trailblazers such as B.B. King to the Wu-Tang Clan. He is now taking the musical stage to bring awareness to Sickle Cell Disease and Anemia. Davis, best known as a keyboardist, will be joined by DBC, the gospel rapper, on Monday, February 19, 2018 from 3 p.m. to 10 p.m. at the El Portal Theatre at 5269 Lankershim Boulevard, North Hollywood, CA 91601.

Davis, a long-term survivor of Sickle Cell Disease, is committed to increasing national and global awareness of Sickle Cell Disease and Anemia. SCD affects approximately 100,000 Americans. While the majority of the population who have SCD are African Americans, it is common among people from Africa, Asia, Europe, India, the Caribbean, the Middle East, and the Mediterranean.

"This disease not only afflicts the African American community, it’s multi-cultural affecting many Americans and those around the globe," he said.

“Sickle Cell Disease can cause anemia, which means that you don't have enough red blood cells to carry oxygen to your body,” said Davis. “I realized that most people don’t understand how sickle cell affects your body because you can’t see it.” About one in 13 African American babies is born with the sickle cell trait. About one in every 365 black children is born with SCD.

Davis's Image Production teamed up with Firestone Films & Entertainment Group, Inc.(FFEG), Educational Awareness through Entertainment Association, and Novartis to heighten the awareness about sickle cell anemia. “I realized that my voice needed to be heard especially because my peers in the entertainment industry are dying from it, like Rapper Prodigy, just last year,” said Davis. “The public needs to know the symptoms and alternative pain management methods.”

From the early age of 8, Bone Davis spent his entire life as musical performer. “I learned to play the bass, keyboards, and drums. He made a name for himself as a keyboardist playing rhythm and blues/jazz artist with a diverse group of music icons from Chick Corea, Les McCann, Con Funk Shun, Nancy Wilson, the Blasters, Poison, Wild Cherry, to name a few.

A native of Texas, Davis hails from an interesting family history from heroes to legendary musicians. His late father, George Bolin, was a member of the original Tuskegee Airmen.

Davis also grew up with a family who was involved in the Motown sound. “My cousin Robert White was the guitarist for the Funk Brothers who the session musicians for most of the Motown recordings,” said Davis. “My favorite genre of music is R&B, jazz, hip hop and blues. “

Along with the excitement of his family background, Davis suffered from constant horrendous pain. “For as long as I remember, pain was part of my life,” he said. “The pain was from Sickle Cell Disease.” Both of Davis’ parents had the trait. Davis was diagnosed with SCD at birth. “It runs in my family including my grandson and other relatives who are affected by sickle cell,” he said.

When you have SCD, your red blood cells don’t have their normal shape, instead of a round shape the cells are shaped like a C, crescent moon, or a sickle. The abnormal shaped cells can't carry oxygen to your body as well as they should. Too little oxygen can lead to symptoms like pain, shortness of breath, tiredness, and infections.

"I am thrilled to share the stage with DBC the Gospel Rapper, and Rapper KS, a newcomer to the music scene," said Davis. "DNC and I have an additional bond with the loss our wives to devastating diseases, DBC's wife to sickle cell disease and my wife of 22 years from breast cancer."

DBC was born with sickle cell anemia. "I lost my mom in 1999 and my dad in 2012 than a year later, I lost my wife," said DBC. "I'm a Christian rapper, writer, author and producer and currently serve on the board of the Sickle Cell Foundation."

Pain episodes or crisis can occur without warning when sickle cells block blood flow and decrease oxygen delivery. “The pain is sharp, intense, stabbing, or throbbing,” said Davis. When abnormally shaped sickle cells are stuck in arteries that feed the brain, they can block blood flow and cause a stroke.

Bone continues to make music, even through the pain. "One of my latest songs is 'Take Me Back',"said Davis. “There is hope living with sickle cell disease and anemia with better understanding and knowledge about how to cope and manage the pain.”

Tickets are available at the Ovation Ticket or call (818) 508-4200 or (866) 811-4111.

Marie Lemelle
Platinum Star PR
(213) 276-7827
email us here

Gutter Child by Bone Davis


Source: EIN Presswire