Grammy Awards 2018 Tickets Nominees Predictions NY

Grammy Awards 2018 Tickets Nominees Predictions NY

Madison Square Garden to host 60th GRAMMY Awards on Jan. 28th, 2018

NEW YORK, NY, USA, November 30, 2017 /EINPresswire.com/ — The Recording Academy has announced that the 60th GRAMMY Awards will take place at New York City’s Madison Square Garden on Sunday, Jan. 28, 2018. The telecast will be broadcast live on CBS at a new time: 7:30–11 p.m. ET and 4:30–8 p.m. PT.

The 60th Annual GRAMMY Awards will mark the 46th consecutive year that CBS will broadcast the show, and the network has a commitment in place to host it through 2026. To announce the GRAMMYs‘ return to New York, The Recording Academy worked with creative agency TBWAChiatDay and director Spike Lee on a star-studded film, NY Stories.

Featuring New York artists sharing New York musical stories, the film takes viewers on a musical tour of the city — from The Apollo Theater in Harlem to Jay Z’s Marcy Projects in Bedford-Stuyvesant, to all neighborhoods and musical landmarks in between.

The Recording Academy and singer/songwriter Andra Day will kick off the 60th GRAMMY Awards nominations by revealing nominees in the four General Field categories (Best New Artist, Record Of The Year, Song Of The Year, and Album Of The Year) live on “CBS This Morning,” Tuesday, Nov. 28th at 8:30 a.m. ET. Immediately following, at 8:40 a.m. ET, the Recording Academy will announce nominations across all 84 categories via press release, GRAMMY.com, and the Recording Academy’s social media platforms.

The Recording Academy™‘s GRAMMY Recordings and RCA Records will release the 2018 GRAMMY Nominees album on Jan. 12, 2018, in stores and via digital retailers. The latest installment of the best-selling series—now in its 24th year—features a collection of the biggest and brightest GRAMMY-nominated music for the upcoming 60th Annual GRAMMY Awards®. A portion of album proceeds benefits the year-round work of the GRAMMY Museum and MusiCares—two charitable organizations founded by the Recording Academy that focus on music education programs and critical assistance for music people in need.

RECORDING ACADEMY ANNOUNCES 60TH ANNUAL GRAMMY AWARDS NOMINEES JAY-Z LEADS GRAMMY NOMINATIONS WITH EIGHT; KENDRICK LAMAR FOLLOWS WITH SEVEN, AND BRUNO MARS WITH SIX

The Recording Academy welcomes this year’s class of GRAMMY nominees. Already a 21-time GRAMMY winner, JAY-Z leads with eight nominations, followed by Kendrick Lamar (7), Bruno Mars (6), Childish Gambino (5), Khalid (5), No I.D. (5), and SZA (5). Selected from more than 22,000 submissions across 84 categories, the nominations showcase some of the most gifted music makers of the past awards year (Oct. 1, 2016–Sept. 30, 2017). As the only peer-selected music award, the GRAMMY is voted on by the Recording Academy’s membership body of music makers, who represent all genres and creative disciplines, including recording artists, songwriters, producers, mixers, and engineers.

The final round of GRAMMY voting is Dec. 7–21, 2017. The Recording Academy will present the GRAMMY Awards on Sunday, Jan. 28, 2018, live from Madison Square Garden in New York and broadcast on the CBS Television Network from 7:30–11:00 p.m. ET/4:30–8:00 p.m. PT.

The following is a sampling of nominations from the GRAMMY Awards’ 30 Fields and 84 categories.

For a complete nominations list, visit www.grammy.com.

Record Of The Year:
“Redbone” — Childish Gambino
“Despacito” — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“The Story Of O.J.” — JAY-Z
“HUMBLE.” — Kendrick Lamar
“24K Magic” — Bruno Mars

Album Of The Year:
“Awaken, My Love!” — Childish Gambino
4:44 — JAY-Z
DAMN. — Kendrick Lamar
Melodrama — Lorde
24K Magic — Bruno Mars

Song Of The Year:
“Despacito” — Ramón Ayala, Justin Bieber, Jason “Poo Bear” Boyd, Erika Ender, Luis Fonsi & Marty James Garton, songwriters (Luis Fonsi & Daddy Yankee Featuring Justin Bieber)
“4:44” — Shawn Carter & Dion Wilson, songwriters (JAY-Z)
“Issues” — Benny Blanco, Mikkel Storleer Eriksen, Tor Erik Hermansen, Julia Michaels & Justin Drew Tranter, songwriters (Julia Michaels)
“1-800-273-8255” — Alessia Caracciolo, Sir Robert Bryson Hall II, Arjun Ivatury, Khalid Robinson, songwriters (Logic Featuring Alessia Cara & Khalid)
“That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip, songwriters (Bruno Mars)

Best New Artist:
Alessia Cara
Khalid
Lil Uzi Vert
Julia Michaels
SZA

Best Pop Solo Performance:
“Love So Soft” — Kelly Clarkson
“Praying” — Kesha
“Million Reasons” — Lady Gaga
“What About Us” — P!nk
“Shape Of You” — Ed Sheeran

Best Pop Duo/Group Performance:
“Something Just Like This” ­— The Chainsmokers & Coldplay
“Despacito” — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“Thunder” — Imagine Dragons
“Feel It Still” — Portugal. The Man
“Stay” — Zedd & Alessia Cara

Best Dance/Electronic Album:
Migration — Bonobo
3-D The Catalogue — Kraftwerk
Mura Masa — Mura Masa
A Moment Apart — Odesza
What Now — Sylvan Esso

Best Rock Performance:
“You Want It Darker” — Leonard Cohen
“The Promise” — Chris Cornell
“Run” — Foo Fighters
“No Good” — Kaleo
“Go To War” — Nothing More

Best Urban Contemporary Album:
Free 6lack — 6lack
“Awaken, My Love!” — Childish Gambino
American Teen — Khalid
Ctrl — SZA
Starboy — The Weeknd

Best Rap Album:
4:44 — JAY-Z
DAMN. — Kendrick Lamar
Culture — Migos
Laila’s Wisdom — Rapsody
Flower Boy — Tyler, The Creator

Best Country Album:
Cosmic Hallelujah — Kenny Chesney
Heart Break — Lady Antebellum
The Breaker — Little Big Town
Life Changes — Thomas Rhett
From A Room: Volume 1 — Chris Stapleton

Best Jazz Vocal Album:
The Journey — The Baylor Project
A Social Call — Jazzmeia Horn
Bad Ass And Blind — Raul Midón
Porter Plays Porter — Randy Porter Trio With Nancy King
Dreams And Daggers — Cécile McLorin Salvant

Best Gospel Album:
Crossover — Travis Greene
Bigger Than Me — Le’Andria
Close — Marvin Sapp
Sunday Song — Anita Wilson
Let Them Fall In Love — Cece Winans

Best Contemporary Christian Music Album:
Rise — Danny Gokey
Echoes (Deluxe Edition) — Matt Maher
Lifer — MercyMe
Hills And Valleys — Tauren Wells
Chain Breaker — Zach Williams

Best Latin Pop Album:
Lo Único Constante — Alex Cuba
Mis Planes Son Amarte — Juanes
Amar Y Vivir En Vivo Desde La Cuidad De México, 2017 — La Santa Cecilia
Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos) — Natalia Lafourcade
El Dorado — Shakira

Best Americana Album:
Southern Blood — Gregg Allman
Shine On Rainy Day — Brent Cobb
Beast Epic — Iron & Wine
The Nashville Sound — Jason Isbell And The 400 Unit
Brand New Day — The Mavericks

Best Comedy Album:
The Age Of Spin & Deep In The Heart Of Texas — Dave Chappelle
Cinco — Jim Gaffigan
Jerry Before Seinfeld — Jerry Seinfeld
A Speck Of Dust — Sarah Silverman
What Now? — Kevin Hart

Best Song Written For Visual Media:
“City Of Stars” — Justin Hurwitz, Benj Pasek & Justin Paul, songwriters (Ryan Gosling & Emma Stone), Track from La La Land
“How Far I’ll Go” — Lin-Manuel Miranda, songwriter (Auli’i Cravalho), Track from Moana: The Songs
“I Don’t Wanna Live Forever (Fifty Shades Darker) — Jack Antonoff, Sam Dew & Taylor Swift, songwriters (ZAYN & Taylor Swift), Track from Fifty Shades Darker
“Never Give Up” — Sia Furler & Gregg Kurstin, songwriters (Sia), Track from Lion
“Stand Up For Something” — Common & Diane Warren, songwriters (Andra Day Featuring Common), Track from Marshall

Producer Of The Year, Non-Classical:
Calvin Harris
No I.D.
Greg Kurstin
Blake Mills
The Stereotypes

Need Global Press: Gerald (305) 490-2192
https://geraldmarvolus.ongooglesolutions.com

Gerald
PR MobileWire
305-490-2182
email us here


Source: EIN Presswire

Global Background Music Market Status, Market Size by Players, Regions, Type, Application And Forecast to 2022

Wise.Guy12

Wise.Guy.

The report provides in depth study of “Background Music” using SWOT analysis i.e. Strength, Weakness, Opportunities and Threat to the organization

PUNE, INDIA, November 30, 2017 /EINPresswire.com/ —

Background Music Market Analysis And Forecast

Background music is an integral part of modern commercial space like malls, retail stores, transit, elevators and other public spaces. This kind of music is intended for passive listening, and it helps in improving the ambience of the place. It is also seen to affect the customer's mood positively, resulting in better shopping experiences for the customers and the retailers. The increase in the number of commercial spaces, high preference for entertainment, and growth in the tourism sector are the major factors that are driving the market growth.

Scope of the Report: 
This report focuses on the Background Music in Global market, especially in North America, Europe and Asia-Pacific, South America, Middle East and Africa. This report categorizes the market based on manufacturers, regions, type and application.

Market Segment by Manufacturers, this report covers 
Mood Media 
PlayNetwork 
TouchTunes 
Usen Corporation 
SiriusXM for Business 
Pandora for Business 
Almotech 
Imagesound 
NSM Music. 
CSI Music 
Easy on Hold 
Hibou Music 
Sunflower Music 
Soundjack 
Xenon Music Media 
Other

Market Segment by Regions, regional analysis covers 
North America (USA, Canada and Mexico) 
Europe (Germany, France, UK, Russia and Italy) 
Asia-Pacific (China, Japan, Korea, India and Southeast Asia) 
South America (Brazil, Argentina, Columbia etc.) 
Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

Market Segment by Type, covers 
Type 1 
Type 2

Market Segment by Applications, can be divided into 
Retail Stores 
Restaurants 
Entertainment Places 
Public Organizations 
Others

 

Request For Sample Report @ https://www.wiseguyreports.com/sample-request/1512396-global-background-music-market-by-manufacturers-countries-type-and-application-forecast                                                                       

                                                        

Table of Contents:

1 Market Overview 
1.1 Background Music Introduction 
1.2 Market Analysis by Type 
1.2.1 Type 1 
1.2.2 Type 2 
1.3 Market Analysis by Applications 
1.3.1 Retail Stores 
1.3.2 Restaurants 
1.3.3 Entertainment Places 
1.3.4 Public Organizations 
1.3.5 Others 
1.4 Market Analysis by Regions 
1.4.1 North America (USA, Canada and Mexico) 
1.4.1.1 USA Market States and Outlook (2012-2022) 
1.4.1.2 Canada Market States and Outlook (2012-2022) 
1.4.1.3 Mexico Market States and Outlook (2012-2022) 
1.4.2 Europe (Germany, France, UK, Russia and Italy) 
1.4.2.1 Germany Market States and Outlook (2012-2022) 
1.4.2.2 France Market States and Outlook (2012-2022) 
1.4.2.3 UK Market States and Outlook (2012-2022) 
1.4.2.4 Russia Market States and Outlook (2012-2022) 
1.4.2.5 Italy Market States and Outlook (2012-2022) 
1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia) 
1.4.3.1 China Market States and Outlook (2012-2022) 
1.4.3.2 Japan Market States and Outlook (2012-2022) 
1.4.3.3 Korea Market States and Outlook (2012-2022) 
1.4.3.4 India Market States and Outlook (2012-2022) 
1.4.3.5 Southeast Asia Market States and Outlook (2012-2022) 
1.4.4 South America, Middle East and Africa 
1.4.4.1 Brazil Market States and Outlook (2012-2022) 
1.4.4.2 Egypt Market States and Outlook (2012-2022) 
1.4.4.3 Saudi Arabia Market States and Outlook (2012-2022) 
1.4.4.4 South Africa Market States and Outlook (2012-2022) 
1.4.4.5 Nigeria Market States and Outlook (2012-2022) 
1.5 Market Dynamics 
1.5.1 Market Opportunities 
1.5.2 Market Risk 
1.5.3 Market Driving Force 
2 Manufacturers Profiles 
2.1 Mood Media 
2.1.1 Business Overview 
2.1.2 Background Music Type and Applications 
2.1.2.1 Type 1 
2.1.2.2 Type 2 
2.1.3 Mood Media Background Music Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.2 PlayNetwork 
2.2.1 Business Overview 
2.2.2 Background Music Type and Applications 
2.2.2.1 Type 1 
2.2.2.2 Type 2 
2.2.3 PlayNetwork Background Music Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.3 TouchTunes 
2.3.1 Business Overview 
2.3.2 Background Music Type and Applications 
2.3.2.1 Type 1 
2.3.2.2 Type 2 
2.3.3 TouchTunes Background Music Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.4 Usen Corporation 
2.4.1 Business Overview 
2.4.2 Background Music Type and Applications 
2.4.2.1 Type 1 
2.4.2.2 Type 2 
2.4.3 Usen Corporation Background Music Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 
2.5 SiriusXM for Business 
2.5.1 Business Overview 
2.5.2 Background Music Type and Applications 
2.5.2.1 Type 1 
2.5.2.2 Type 2 
2.5.3 SiriusXM for Business Background Music Sales, Price, Revenue, Gross Margin and Market Share (2016-2017) 

 Continued…….

 

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WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
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Source: EIN Presswire

Design Indaba Festival and Conference 2018

Experience the world's leading creative currency that's driving design for a better world with Design Indaba's iconic annual conference.

CAPE TOWN, WESTERN CAPE, SOUTH AFRICA, November 29, 2017 /EINPresswire.com/ — The Design Indaba conference and festival, taking place from 21-24 February 2018, is going beyond design to create a multi- sensory event where you can hear, see, learn and experience the future of creative thinking and design activism. Awarded as the Best Conference in the World, Design Indaba aims to make a positive impact on society by building a movement that attracts producers of meaningful culture and business, regardless of sector or industry.

The first three confirmed speakers of the substantial 2018 panel include celebrated and prolific spatial designer Morag Myerscough who most recently reimagined the interior of the Bernie Grant Arts Centre cafe in London. Dutch landscape architect Peter Veenstra, co-founder of LOLA Architects, created the Adidas Campus headquarters in Germany and is bringing his structural genius to the Design Indaba stage. The third confirmed speaker is Cannes Lions award-winning filmmaker Sunu Gonera who hails from Zimbabwe and whose work tells authentic African stories, as seen in the music video he created for Khuli Chana.

With three full days of engaging speakers, exhibitions and a film- and music festival, the 2018 conference is set to amaze, uplift and motivate delegates to find new ways in which to design a better world.

Taking place in conjunction with the world-renowned Design Indaba Conference, the annual Design Indaba Festival 2018 will run from 21 – 24 February 2018 at the Artscape Theatre Centre in Cape Town. An experiential wonderland of live music, films, Chefs Table dinners, performances and exhibitions, the Design Indaba Festival encompasses the Design Indaba’s longstanding annual Film Festival, Nightscape, and the Most Beautiful Object in South Africa, as well as the Emerging Creatives Programme. New to the festival in 2018 are pop-up restaurants featuring renowned Chefs and stand-alone performances by headline acts.

Festival passes are available to the general public – you don’t need to be a conference delegate to attend. An all-access, three-night pass allows festivalgoers to experience the full offering of creative excellence. Alternatively, a one-night ticket will allow you to catch a smaller selection of the amazing performing acts and progressive installations on offer.

Nightscape will run from 22 – 24 February 2018 on the Artscape Piazza. Expect a wonderland of curated gourmet street food, DJs, VIP hospitality suites, installations, performers and music, creating an immersive experience in which you wouldn’t be surprised to find a Conference speaker taking the stage to perform a DJ set.

The specially curated selection on offer expands the continent and beyond, with highlights coming from unknown talents around Africa, special performances by selected Conference speakers, and a range of local and international artists breaking boundaries. Not to mention crowd-pulling headline acts.

Emerging Creatives will showcase samples of their work from 21 – 24 February 2018 within the Artscape. The Emerging Creatives Programme excels in supporting the next generation of creative talents and provides young designers with a much-needed launch platform.

The Most Beautiful Object in South Africa showcase gives the nation a chance to express what constitutes beauty. While some may consider beauty an aspect of taste and others know it on sight, beauty becomes far more profound than a visual sensation when design attributes such as social significance, economic impact, usability, sustainability and even humour are thrown into the mix. The Most Beautiful Object in South Africa showcase runs from 21 – 24 February 2018 at the Artscape.

The Design Indaba Film Festival will run from 22 – 24 February 2018 and screenings take place in the Artscape Arena during the evenings. There will be a selection of films on offer, with two screenings per night, at 18h00 and 20h30. The ticket price per film is R85.

The films are not limited by genre, format or theme. Simply expect a refreshing, globally relevant foray into film that’s leading the way in creativity, from documentaries about various creative disciplines and figures, to quirky and artistic creative expressions making their African debut. Admission to both the Most Beautiful Object in South Africa and Emerging Creatives are included in the Nightscape, Film Festival and conference tickets and will give attendees a view into the future of creativity in South Africa and across the continent.

Tickets for Nightscape and the Film Festival (on sale from 10 December 2017) are available from Webtickets and are sold separately to the Design Indaba Conference and Simulcast.

KEY DATES TO DIARISE:
● Design Indaba Conference and Simulcast: 21-23 February 2018
● Most Beautiful Object in South Africa on show from: 21-24 February 2018
● Emerging Creatives on show from: 21-24 February 2018
● Film Festival: 22-24 February 2018
● Nightscape: 22-24 February 2018

For updates on the Design Indaba Festival 2018 and for ticketing information please visit www.designindaba.com/festival.

MJ Swart
Lauren Shantall Communications
+27216850169
email us here


Source: EIN Presswire

Makes a Great Gift, "We are Woodstock" the Novel. It Tells a Love Story at the Greatest Concert of the Hippie Movement.

This novel puts you right on the grounds of the Woodstock Festival

A love story that takes place at the Woodstock Festival

Between these pages is a wonderful love story

Learn of the performances, behind the scene shenanigans, and the future of the stars

This novel puts you right on the grounds of the Woodstock Festival

The Woodstock Festival: 3 Days of Peace & Music

Through the pages of this historical, fictional, autobiographical novel of the Woodstock Festival, the author will send you back in time to that very weekend.

A love story that takes place at the Woodstock Festival.”

— Glenn Eldridge

HOUSTON, TX, UNITED STATES, November 29, 2017 /EINPresswire.com/ — HOUSTON, TEXAS, USA, November, 2017 /EINPresswire.com/ —

This wonderful novel puts you on Yasgur’s Farm on the weekend of August 15, 1969. You will be at the Woodstock Music & Art Fair. It’s an easy read and a fun trip as the Hippie Movement of the 1960s comes to a close. It's a novel, not a book of facts. You will live the concert as if you were there. This concert had the who’s who of rock groups of the time, when musicians weren’t seen on TV like today. This was the place that many hippies got their first glimpse of the musical artists, who’s music shaped us all.

This festival was billed as 3 Days of Peace & Music and as Max Yasgur uttered on stage, “Nothing but peace and music.” What makes this book different is that it isn’t from one of the promoters or one of the performers point of view, this novel is by one of the spectators, a person in the audience, a person like you. As you read, he tells you of his story, which to him is one of the greatest weekend of his life. Glenn Eldridge, Author of We are Woodstock, describes the novel as, "A love story that takes place at the Woodstock Festival." It starts with Glenn getting fired at work and getting dumped by his girlfriend and then meeting Gail the first night there.

He purchased his tickets when they first went on sale and still has them today. They can be seen on the back cover of the book. He arrives a day early with a couple of friends, so they miss the traffic jam, but you will learn all about that. How? As the reader you will learn it as the central character does, though radio reports and headlines of the news, that are sometimes read from the stage. Also you will hear all the announcements, where the infirmaries can be found and which acid to avoid.

This novel is made interesting because the words translates to your eyes as the whole festival opens up to your senses. The grounds of Yasgur’s Farm is described from the camping areas to the concert area to the Hog Farm area, where people are feed for free. You will see the crowds like ocean waves covering the landscape. The way they are dressed and the way so many came unprepared for the weekend. You’ll learn how the promoters found Max Yasgur’s Farm for this Aquarian Exposition, another name it was known by, and what a great deal Max made for himself when leasing his land, since the festival was scheduled to begin in 30 days from when they found him. There are many fun facts to learn from this book before, during and after this historic event.

You’ll learn about the performer too stoned to get on stage, others stoned that went on anyway. One group refuse to play in the rain and it did rain. One artist had to sing to prove who she was because she forgot her backstage pass. You’ll learn about the emcee who was chosen less than an hour before his first announcement and the fact that the Governor was going to end the concert by calling in the troops. There is so much to learn in this fun read.

Did I mention that between the main character going skinny dipping, dealing with dumb girls and wondering whether he should be broken hearted about his girlfriend dumbing him, that he meets a free-spirited flower child named Gail. She not only wins Glenn’s heart, but as the reader you to will fall in love with her.

Makes a great gift for the holiday, so you can relive your hippie years or let your children know what summed up the 60’s in general. It was the first really big concert that brought people from all over the country and the world to celebrate a way of life.

This is a fictional, historical autobiographical story of the greatest Rock & Roll event ever. It will never happen again. People just came to hear the music, be peaceful and see the artists that they only knew through their music. Remember back in 1969, the Mets won the World Series, Manson did his dirty deed and we landed on the moon. Woodstock was the final expression of a generation, after that we left the 60s and went on to the 70s.

If you weren’t there, this novel will put you there and if you were, let this novel take you back. By the way, Michael Lang wanted Roy Rogers to end the concert singing “Happy Trail.” Roy himself said, “If I were there with all those hippies, they would have boo’d me off the stage.” I’m not so sure they would have, but for an informative story and a delightful love story, pick up a copy and read We are Woodstock. You can also find this book on the selves at the Woodstock Museum in Upstate New York. Visit it.

An excerpt from "We are Woodstock":

The crowd is opening up like the Red Sea as she continues yelling my name as if to be looking for me, while she holds my hand and pulls me behind her. We finally get as close to the stage as we can, which is two rows from the front. At this point she spins around and puts her arms around my neck and kisses me. Now I can see what she had seen through the binoculars. On the stage, written on the drum is “The Who.” She remembered they were the one group I really wanted to see. Then comes an announcement from the stage,

“Ladies and Gentlemen, would you please show your appreciation, they came to us especially for this show, please warmly welcome, "The Who!”

"We are Woodstock"
By Glenn Eldridge
Softcover / 5' x 8' / 200 pages / ISBN 9780982995013
Available at Amazon.com or WeAreWoodstock.com

Glenn Eldridge
We are Woodstock
7137219200
email us here


Source: EIN Presswire

Global MP3 Player Market 2017 Industry Analysis, Size, Share, Growth, Trends and Forecast by 2022

WiseGuyReports.com adds “MP3 Player Market 2017 Global Analysis, Growth, Trends and Opportunities Research Report Forecasting to 2022”reports to its database.

PUNE, INDIA, November 29, 2017 /EINPresswire.com/ — MP3 Player Market:

Executive Summary

This report studies MP3 Player in Global market, especially in North America, China, Europe, Southeast Asia, Japan and India, with production, revenue, consumption, import and export in these regions, from 2012 to 2016, and forecast to 2022.

This report focuses on top manufacturers in global market, with production, price, revenue and market share for each manufacturer, covering

Apple
Sony
Philips
Aigo
Newsmy
IRiver
COWON(IAUDIO)
SanDisk
PYLE
ONDA

Request Sample Report @ https://www.wiseguyreports.com/sample-request/1677112-global-mp3-player-market-professional-survey-report-2017

On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into

Flash Memory MP3 Player
Hard Drive MemoryMP3 Player
By Application, the market can be split into

Consumer Aged under 18
Consumer Aged 19 to 24
Consumer Aged 25 to 34
Consumer Aged 35 and older

By Regions, this report covers (we can add the regions/countries as you want)

North America
China
Europe
Southeast Asia
Japan
India

If you have any special requirements, please let us know and we will offer you the report as you want.

For further information on this report, visit – https://www.wiseguyreports.com/enquiry/1677112-global-mp3-player-market-professional-survey-report-2017

Table of Contents

Global MP3 Player Market Professional Survey Report 2017 
1 Industry Overview of MP3 Player 
1.1 Definition and Specifications of MP3 Player 
1.1.1 Definition of MP3 Player 
1.1.2 Specifications of MP3 Player 
1.2 Classification of MP3 Player 
1.2.1 Flash Memory MP3 Player 
1.2.2 Hard Drive MemoryMP3 Player 
1.3 Applications of MP3 Player 
1.3.1 Consumer Aged under 18 
1.3.2 Consumer Aged 19 to 24 
1.3.3 Consumer Aged 25 to 34 
1.3.4 Consumer Aged 35 and older 
1.4 Market Segment by Regions 
1.4.1 North America 
1.4.2 China 
1.4.3 Europe 
1.4.4 Southeast Asia 
1.4.5 Japan 
1.4.6 India

2 Manufacturing Cost Structure Analysis of MP3 Player 
2.1 Raw Material and Suppliers 
2.2 Manufacturing Cost Structure Analysis of MP3 Player 
2.3 Manufacturing Process Analysis of MP3 Player 
2.4 Industry Chain Structure of MP3 Player

3 Technical Data and Manufacturing Plants Analysis of MP3 Player 
3.1 Capacity and Commercial Production Date of Global MP3 Player Major Manufacturers in 2016 
3.2 Manufacturing Plants Distribution of Global MP3 Player Major Manufacturers in 2016 
3.3 R&D Status and Technology Source of Global MP3 Player Major Manufacturers in 2016 
3.4 Raw Materials Sources Analysis of Global MP3 Player Major Manufacturers in 2016

4 Global MP3 Player Overall Market Overview 
4.1 2012-2017E Overall Market Analysis 
4.2 Capacity Analysis 
4.2.1 2012-2017E Global MP3 Player Capacity and Growth Rate Analysis 
4.2.2 2016 MP3 Player Capacity Analysis (Company Segment) 
4.3 Sales Analysis 
4.3.1 2012-2017E Global MP3 Player Sales and Growth Rate Analysis 
4.3.2 2016 MP3 Player Sales Analysis (Company Segment) 
4.4 Sales Price Analysis 
4.4.1 2012-2017E Global MP3 Player Sales Price 
4.4.2 2016 MP3 Player Sales Price Analysis (Company Segment)

5 MP3 Player Regional Market Analysis 
5.1 North America MP3 Player Market Analysis 
5.1.1 North America MP3 Player Market Overview 
5.1.2 North America 2012-2017E MP3 Player Local Supply, Import, Export, Local Consumption Analysis 
5.1.3 North America 2012-2017E MP3 Player Sales Price Analysis 
5.1.4 North America 2016 MP3 Player Market Share Analysis 
5.2 China MP3 Player Market Analysis 
5.2.1 China MP3 Player Market Overview 
5.2.2 China 2012-2017E MP3 Player Local Supply, Import, Export, Local Consumption Analysis 
5.2.3 China 2012-2017E MP3 Player Sales Price Analysis 
5.2.4 China 2016 MP3 Player Market Share Analysis 
5.3 Europe MP3 Player Market Analysis 
5.3.1 Europe MP3 Player Market Overview 
5.3.2 Europe 2012-2017E MP3 Player Local Supply, Import, Export, Local Consumption Analysis 
5.3.3 Europe 2012-2017E MP3 Player Sales Price Analysis 
5.3.4 Europe 2016 MP3 Player Market Share Analysis 
5.4 Southeast Asia MP3 Player Market Analysis 
5.4.1 Southeast Asia MP3 Player Market Overview 
5.4.2 Southeast Asia 2012-2017E MP3 Player Local Supply, Import, Export, Local Consumption Analysis 
5.4.3 Southeast Asia 2012-2017E MP3 Player Sales Price Analysis 
5.4.4 Southeast Asia 2016 MP3 Player Market Share Analysis 
5.5 Japan MP3 Player Market Analysis 
5.5.1 Japan MP3 Player Market Overview 
5.5.2 Japan 2012-2017E MP3 Player Local Supply, Import, Export, Local Consumption Analysis 
5.5.3 Japan 2012-2017E MP3 Player Sales Price Analysis 
5.5.4 Japan 2016 MP3 Player Market Share Analysis 
5.6 India MP3 Player Market Analysis 
5.6.1 India MP3 Player Market Overview 
5.6.2 India 2012-2017E MP3 Player Local Supply, Import, Export, Local Consumption Analysis 
5.6.3 India 2012-2017E MP3 Player Sales Price Analysis 
5.6.4 India 2016 MP3 Player Market Share Analysis

6 Global 2012-2017E MP3 Player Segment Market Analysis (by Type) 
6.1 Global 2012-2017E MP3 Player Sales by Type 
6.2 Different Types of MP3 Player Product Interview Price Analysis 
6.3 Different Types of MP3 Player Product Driving Factors Analysis 
6.3.1 Flash Memory MP3 Player of MP3 Player Growth Driving Factor Analysis 
6.3.2 Hard Drive MemoryMP3 Player of MP3 Player Growth Driving Factor Analysis

7 Global 2012-2017E MP3 Player Segment Market Analysis (by Application) 
7.1 Global 2012-2017E MP3 Player Consumption by Application 
7.2 Different Application of MP3 Player Product Interview Price Analysis 
7.3 Different Application of MP3 Player Product Driving Factors Analysis 
7.3.1 Consumer Aged under 18 of MP3 Player Growth Driving Factor Analysis 
7.3.2 Consumer Aged 19 to 24 of MP3 Player Growth Driving Factor Analysis 
7.3.3 Consumer Aged 25 to 34 of MP3 Player Growth Driving Factor Analysis 
7.3.4 Consumer Aged 35 and older of MP3 Player Growth Driving Factor Analysis 

Continuous…

Buy this Report @ https://www.wiseguyreports.com/checkout?currency=one_user-USD&report_id=1677112

Norah Trent
WiseGuy Research Consultants Pvt. Ltd.
+1 646 845 9349 / +44 208 133 9349
email us here


Source: EIN Presswire

Urban Ideas Announces Independent Artists and Creatives Performance, Promotion and Distribution Opportunities for 2018

Urban Ideas Limited Partnership, LLP and its independent label and publishing group are unveiling its 2018 growth plans which means big things for creatives.

It takes a team, a vision, a talent and a lot of fortune to be successful. There are no guarantees, but its worth the effort.”

— Michael Towns Senior Partner Urban Ideas, LLP

CHICAGO, ILLINOIS, UNITED STATES, November 28, 2017 /EINPresswire.com/ — How do you get started, make money and build a career or business in the entertainment or creative space? Well there are many roads, but invariably you need to know someone. Urban Ideas Limited Partnership, LLP ("Urban Ideas") and its independent label group which includes Chicago Creed Music and Media Group (Chicago focused multi-genre label), Urban Creed Music and Media Group (national multi-genre label), Indie Chart Music Group (national multi-genre label with aggregator focus) and Kingdom Records (national gospel label) along with Urban Ideas Publishing Group and Urban Ideas Consulting Group whose tag line is "The Creative Commerce People" are the folks to know.

On Thursday November 30th at 7:30 PM at the Music Garage located at 345 N. Loomis in the Showcase Room on the 5th floor you will learn about the company's vision along with the opportunities it is forecasting to emerge for the right talents. So who should attend? Well according to Columbia Entrepreneurship and Finance professor and Urban Ideas partner and Chicago Creed label chief Michael Towns "This event is for anyone who wants to learn about creative entrepreneurship. It is for people who want to make money as artists and entrepreneurs. Whether you are selected by us or you choose another path, the information should serve you well."

What kind of talent? Sherree Lee Creative Director and A&R for Chicago Creed says we are thinking outside the box. We want singers, musicians, comedians, Broadway singer-actor types. We are also seeking various genres. We want jazz, pop, kids musical acts, R&B, hip-hop, rock, spoken word, inspirational, gospel, blues, EDM and more. The caveat is that we are really focusing on younger acts. Mind you, we do have our eyes open for that special seasoned act, but our plan is really looking to develop 18 to 28 year old artists. We are casting a wide net looking for talented people to help get them established and create some fantastic content. Our age constraint is only for the music program. So comedians, entrepreneurs and authors just come. Oh yeah, we also have some great internship opportunities.

What's the catch? Sherree laughs and says well that is why you have to attend. Seriously, the important thing is that we are looking for people who are serious, focused and can take direction. We have had a few stops and starts with folks who couldn't make a decision, follow through or their view of the business didn't mesh with our knowledge. We will talk about that as well.

Join Us at the Music Garage to meet the team and to learn more: 3 Mics Thursdays Events, Compilations Records, Covers Music Strategy, Tour Opportunities, Promotional Opportunities, Book Publishing, And More…

The informational will take place on Thrusday, November 30, 2017 a the Music Garage, 345 North Loomis, Chicago, IL in the Showcase Room (RM 515) at 7:30 PM CST.

Sherree Lee
Chicago Creed Music Group
312.929.3291
email us here


Source: EIN Presswire

Country Community Comes Together at Stoney’s Rockin’ Country

Stoney’s Rockin’ Country raises over $41,000 for Las Vegas Victims. Pictured left to right: Jeff Higginbotham, Chris Lowden, Steve Sisolak, Michael McDonald, and Tony Jackson

Country fans band together at Solidarity Event at Stoney’s Rockin’ Country

Tony Jackson performs live during Solidarity Event at Stoney’s Rockin’ Country honoring the victims of the 1 October Shooting

Solidarity Event Raises Over $41,000 for Las Vegas Victims Fund

LAS VEGAS, NV, UNITED STATES, November 27, 2017 /EINPresswire.com/ — While many Las Vegans were still in shock reeling over the tragic events that took place on October 1, 2017, Chris Lowden, owner of Stoney’s Rockin’ Country was searching for a way to unite his community. “This heinous massacre was personal for us and rocked us to our core,” said Lowden, “my employees, my patrons, and their families were all at Route 91. It’s an event the Las Vegas Country Music Community looks forward to all year long. And now, our community was devastated. So, I knew I had to do something and do it quickly.”

In the morning hours Monday October 2nd, less than 24 hours after tragedy struck, Lowden was organizing a solidarity concert with 100% of the proceeds going to County Commissioner Steve Sisolak’s Las Vegas Victims Fund. “As soon as I started pulling things together, the response was overwhelming. Everyone wanted to help,” recalled Lowden.

And everyone did help. County Commissioner Steve Sisolak opened his Las Vegas Victims Fund GoFundMe to be the official beneficiary. Country music artists Tony Jackson, Carter Winter, and Justin Holmes immediately offered to perform. Many more followed including Dylan Schneider who had just performed at Route 91 hours before the shooting. “Dylan had just gotten home and heard we were doing this event. He called me and said I am in and flew across the country the same day to play,” continued Lowden. Even Taylor Winston, the infamous veteran who stole a truck to help the injured, jumped on board to help the benefit.

In a little over 24 hours, Chris Lowden and Stoney’s Rockin’ Country pulled together a solidarity concert that unified a close-knit community at the time they needed it most. Over 1400 people showed up. They prayed together. They sung the national anthem and said the pledge of allegiance together. They listened to country music together. And together, they raised over $41,000 for the Las Vegas Victims Fund.

“I really just want to thank everyone for bringing our community together and showing them that it is okay to come together, to celebrate the music that we love, and to show that hate will not win over love,” concluded Lowden.

To donate to the Las Vegas Victim, visit https://www.gofundme.com/dr2ks2-las-vegas-victims-fund

ABOUT STONEY'S ROCKIN' COUNTRY

The World Famous Stoney's Rockin' Countryis Las Vegas' premiere destination for locals and tourists who are looking for a boot stomping good ole time with line dancing, mechanical bull riding, beer pong, pool tables and more. Located at Town Square, Stoney's Rockin' Country is a 19,000 square foot high-energy nightclub that features a 2,000 square foot dance floor and 570 square foot stage for dancing and performances, along with a state of the art sound system, live bands and the industry's leading DJs. Doors open at 7 p.m. and line-dancing lessons begin at 7:30 p.m.

Brittany Madsen
Stoney's Rockin' Country
7022349044
email us here


Source: EIN Presswire

"The Memories of God" New Song Released by Pastor, Peter Unger

A new Christian song explains how memories live on, just like god

NASHVILLE, TENNESSEE, USA, November 27, 2017 /EINPresswire.com/ — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that Many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. 

He further explained that those, for whom faith and a personal relationship with God most defined what it meant to be a Christian were the most spiritually resilient. The habit of opening themselves to God's loving Grace. had not been developed overnight but was the result of  many years of prayerfully centering themselves in that love. While not perfect, and despite low points, they often seemed to glow with an essential awareness of, and trust in God's life restorative love. What amazed Pete was how often they uplifted him spiritually during such visits. He hopes that this song will reflect their witness and minister to those who need it most.
 
When listening to the song, "The Memories of God" gives an instantly uplifting and inspiring vibe. A well produced and thought out song, the lyrics are instantly felt to be genuine and from the heart- Obviously reflected from the real-life experiences that Peter has gone through as a Pastor.

Lyrics from the song include; “The memories of god, are like those of men. They last forever and give life back again”. The song also explains how memories live on, even when physical health declines. 

Background wise, Pastor Unger holds a BA from Goddard College, an MDiv. from Princeton Theological Seminary, and a Doctorate from Drew Univ. Writing and performing songs has been a critical part of his ministry. He was a finalist in the USA International Songwriting Competition, and has had two music CD's published. The most recent was "Songs of Grace" available on numerous online sites including Amazon, and Spotify. 

He is currently a pastor of a church in Northampton, PA. Pete also has several other songs releasing soon, including "Christmas Cards" fitting nicely in time for the holiday season.

Andrew Braithwaite
Release News
+44 (0)161 818 6487
email us here


Source: EIN Presswire

The Los Angeles Music and Art School to Mount First Ever Playmaking Show at USC’s Scene Dock Theatre

LAMusArt's inaugural Playmaking show features two volumes of original plays written by eleven students (ages 9-11) and performed by over twenty adult actors.

We are always expanding and evolving our lessons to better serve the East LA area and get local artists involved in our mission.”

— Manuel Prieto, LAMusArt Executive Director

LOS ANGELES, CALIFORNIA, UNITED STATES, November 27, 2017 /EINPresswire.com/ — The Los Angeles Music and Art School (LAMusArt) announces its first ever Playmaking show, FIRST CLASS: THE INAUGURAL PLAYS, to be held at the University of Southern California’s Scene Dock Theatre on Monday, December 4. “FIRST CLASS” will feature two volumes of original plays written by eleven LAMusArt students (ages 9-11) and performed by over twenty adult actors. An array of accomplished performers, directors and designers will join the organization in mounting this special show.

Playmaking is an innovative program in which young students learn the fundamentals of playwriting over the course of ten weeks, resulting in a live and fully-produced performance of the student-written plays. Playmaking is the third program to be added to the Drama department at LAMusArt, accompanying a weekly acting class, and an annual five-week summer arts enrichment program, Camp MusArt.

“After seeing the response from our summer enrichment program and our acting course, the needs and wants for more opportunities in drama discourse were apparent. We are always expanding and evolving our lessons to better serve the East LA area and get local artists involved in our mission,” said Executive Director, Manuel Prieto.

During the first seven weeks of the 10-week session, students concentrate on the academic approach to dramatic writing, focusing on the concepts of character, narrative, dialogue and stage directions. At the end of the seventh week, students apply the skills they’ve learned to create an original play and lyrics to an original song at Play Day. Perhaps one of the most exciting experiences of Playmaking, Play Day, is a day-long retreat where students will put their newfound knowledge of dramatic writing to work. Each student will be paired with an adult dramaturge who will serve as the student’s mentor, helping to guide them through their creative writing process. Once the plays are written, professional actors are assigned to each play, and rehearse with an adult director and an adult composer. At the end of the rehearsal process, students will have the opportunity to see a realized version of their original plays and songs performed and directed by adults.

Modeled after a similar program of the same name from The 52nd Street Project in New York City, Playmaking is an experiment in equitable and collaborative storytelling and a way for students to have a unique experience of success. This academically enriching program teaches important life skills in tandem with writing skills.

The kid playwrights for FIRST CLASS: THE INAUGURAL PLAYS are Abraham Aguiar, Aubrey Arias,Enzo Chavez, Diamond Fierro, Helena Minguet, Ethan Neal , Natalia Rosales, Sayer Uribe, Alice Weiss, Margaret Weiss, and Diana Zayas.

The adult dramaturge/directors are Burton Chaikin, Judy Chaikin, Sarah Cho, Alejandra Cisneros, Patricia Garza, Anton Handel, Luke Kanter, Jonathan Munoz Proulx, Maria Pasquarelli, Pia Shah, Nathan Singh, Armando Torres Pina and Ashley Wellman.

The adult actors include Lauren Blumenfeld, Chae Chaput, Kate Chindlund, Ben Crutcher, Cole Cuomo, Dylan Dawson, Alisa De Los Santos, Evan Enderle, Andrew Erath, Holley Fain, Cecilia Fairchild, Delanie Fischer, Corey Johnson, Andrea Limon, Vella Lovell, Frank Martinelli, Jake Minton, Pia Shah, Caitlin Stegemoller and Armando Torres Pina.

The composer is Austin Chanu. The Lighting Designer is Will Chandler. The Costume Designer is Manuel Prieto.

This program is supported in part by the Awesome Foundation and the McCarthey Dressman Education Foundation, along with key supporters at the USC School of Dramatic Arts. FRESH START is a one-night-only performance on Monday, December 4 with Volume 1 at 6:00pm and Volume 2 at 7:30pm. Tickets are now on sale at www.LAMusArt.org/Playmaking.

About LAMusArt
The Los Angeles Music and Art School is a 501(c)(3) nonprofit arts organization whose mission is to provide the community of East Los Angeles, specifically its K-12 population, with equitable and affordable access to multidisciplinary arts education programs. We aim to provide opportunities for underserved youth in East LA to partake in high quality arts instruction regardless of race, gender, aptitude, or financial standing so they are afforded creative tools for success and social change.

# # #

CONTACT:
Manuel Prieto
Executive Director
LAMusArt School
323-262-7734

Sharon Jennings
Spectacle Media PR
323-839-5903
email us here


Source: EIN Presswire

Royal Blues Holiday Celebration for Prostate Cancer Awareness

Presented by PCa Blue Featuring 2017 GRAMMY® Award Winning Blues Recording Artist Bobby Rush and Multi-Award Winning Blues Artist Big Bill Morganfield

Together we can save lives.”

— Bobby Rush

ATLANTA, GEORGIA, USA, November 27, 2017 /EINPresswire.com/ — Hosted by ABC WSB-TV reporter, Tom Jones, and WRFG Radio, DJ UK Bob, Legendary bluesman Bobby Rush lends his voice to the cause to help save lives: “Prostate cancer is a deadly disease that is impacting too many men, particularly African American men because we are not talking about it. Together we can change that and save lives” Bobby Rush.

The 2017 Blues 4 Prostate Cancer Education Tour is making an impact in the Atlanta metro area on December 16 with the Royal Blues Holiday Celebration for Prostate Cancer Awareness. PCa Blue and the Atlanta Blues Society are working together to connect the dots between prostate cancer and blues music by hosting an educational concert event on Saturday, December 16 at The Vista Room. The show will feature legendary bluesman, GRAMMY® Award Winner Bobby Rush and Atlanta’s very own Blues Master Big Bill Morganfield, (Muddy Waters’ son).

The event is a fundraiser for PCa BLUE, a 501(c)(3) nonprofit organization dedicated to raising prostate cancer awareness. Proceeds from events support national prostate cancer education organizations, PHEN, Us Too and ZERO, and the Blues Foundation’s HART Fund (Handy Artists Relief Trust), which helps blues musicians and their families in financial need due to a broad range of health concerns.

Prostate cancer is the most commonly diagnosed cancer in American men. There are nearly 3 million prostate cancer survivors in the U.S. today and more than 161,000 men will be diagnosed this year. All men are at risk, some more than others. This is a cancer that has very few if any, noticeable symptoms when it is in its earliest, curable stage. Learn more at www.pcablue.org/prostate-cancer-information.

Each educational event of the tour promises a great evening of blues music plus prostate cancer information from medical experts, survivors and advocates about the risk factors, screening procedures and treatment options available. Prostate cancer survivors will share their stories and leaders from the urology and oncology communities will share their knowledge. This event will include a silent auction. A special VIP Experience including a private meet and greet at Pittypat’s porch the evening before will be available to a limited number of guests.

The event is hosted in partnership with the Atlanta Blues Society (ABS), an affiliate organization of the Blues Foundation. “Partnering with the Atlanta Blues Society is a wonderful opportunity and honor for PCa Blue. We have come together to connect the dots between prostate cancer and the blues, directly impacting the Atlanta area with lifesaving information and valuable resources” Ivy Ahmed, CEO, PCa Blue.

Buddy Guy is the national spokesman for PCa Blue and together with Bobby Rush, they are using their voices to bring prostate cancer awareness and information to the public. Both men are dedicated to the cause after losing family members to the disease and will be performing together on at the PCa Blue sponsored event on January 4, 2018 kicking off Buddy Guy’s January residency at Buddy Guy’s Legends.

The first concert of the 2017 Blues 4 Prostate Cancer Education Tour was held in Memphis in the spring and featured Buddy Guy, Bobby Rush, Vasti Jackson, the Bo-Keys and Southern Avenue. Two events were held in the Chicago area during September, prostate cancer awareness month.

CONCERT DETAILS

Saturday, Dec. 16, 2017
PCa BLUE and the Atlanta Blues Society Present:
Royal Blues Holiday Celebration for Prostate Cancer Awareness
The Vista Room
2836 LaVista Road
Decatur, GA 30033
404- 321-5000
www.thevistaroom.com

Support for the Blues 4 Prostate Cancer Education Tour is provided by our Premier Sponsor Pfizer Oncology, as well as Key Level Sponsors: Astellas Pharma, Pharmaceutical Research and Manufacturers of America (PhRMA), Bayer Oncology and Buddy Guy’s Legends. Local sponsors include Pittypat’s Porch, the Vista Room and Big City Rhythm and Blues.

ABOUT PCa BLUE
PCa Blue, a 501(c)(3) national nonprofit organization dedicated to increasing awareness about prostate cancer. We leverage blues music and healthcare professionals to educate men and their loved ones so they recognize their personal risk, seek appropriate testing and, if diagnosed, understand the numerous treatment options available for them. For donations visit www.pcablue.org/donate.

Angela Moore
My Publicist, Inc.
4242042203
email us here


Source: EIN Presswire